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The AfterEllen.com 2005 Visibility Awards

In our second annual AfterEllen.com Visibility Awards, we recognize those that have most positively or negatively influenced lesbian and bisexual visibility in American entertainment during the year. So here’s our pick of 2005’s best and worst celebrities, TV shows, movies, musicians, and more.

BEST SCRIPTED TV SERIES

South of Nowhere (The N) The idea that a basic cable channel would debut an entire series built around a teenage girl exploring her sexuality seemed too good to be true; that it turned out to be well-written, sexy, and sensitively handled was even more surprising. Not surprising is that since it debuted a few months ago, South of Nowhere has quickly become a hit, and has already been renewed for a second season. The show might be aimed at younger teens, but judging by the emails we receive, and the fact that the series has already been picked up for a second season, South of Nowhere is a hit with women of all ages and sexual orientations.

Honorable Mention: The L Word (Showtime), for existing.

WORST SCRIPTED TV SERIES

Girlfriends (UPN) While this popular sitcom about a group of African American friends deserves some credit for making one of its characters somewhat openly bisexual, that’s no excuse for the long-running intelligence-insulting lesbian joke it tried to pass off as a subplot this year.

BEST REALITY TV SERIES

America’s Next Top Model (UPN) From bisexual Michelle to gay Kim to heteroflexible Sarah, UPN reality series America’s Next Top Model displayed a variety of alternative sexual orientations this year. Although the judges give conflicting advice about gender performance, Top Model consistently sends the message that gay is okay–even if Kim trying to walk in heels is so not.

Honorable mention: Hell’s Kitchen (Fox), for casually including an openly lesbian contestant and her girlfriend.

BEST PORTRAYAL OF BISEXUALITY ON TV

One Tree Hill (WB) and South of Nowhere (The N) When the character of Anna (Daniela Alonso) came out as bisexual on the second season of teen drama One Tree Hill earlier this year, it represented two “firsts” for network TV: the first bisexual Latina character on TV, and the first time bisexuality was openly discussed on network TV (unlike on The O.C., which included a bisexual character but never explicitly discussed her sexuality). Although many fans were disappointed with Anna’s lack of a love life on the show, the show deserves credit for deliberately and sensitively exploring the unique struggle bisexual women face in trying to fit into both worlds.

In contrast to One Tree Hill, the “I don’t like labels” teens on South of Nowhere don’t talk much about what it means to be bisexual, but they embody it better than anyone else on television has. While it remains to be seen if Spencer and Ashley stay bisexual or are revealed to be lesbians, they’re doing a good job so far of embodying that hazy gray middle that is more common among teenagers these days than most Americans would like to admit.

WORST PORTRAYAL OF BISEXUALITY ON TV The O.C. (Fox) It started off promisingly early in the year, when The O.C.‘s teen queen Marissa (Mischa Barton) fell for new girl Alex (Olivia Wilde) and the two began a relationship that was mostly well-received by the other characters, and fans. Then the writers decided they were done with that relationship, and Alex was turned into a different character altogether–a jealous, dangerous one. Series creator Josh Schwartz admitted afterwards that he didn’t realize how unwilling the network would be to let him fully explore this storyline, but we say that anyone who has ever seen anything lesbian-related on a scripted Fox show should have known there was only one was this was ever going to end: badly.

BEST THEATRICAL RELEASE

Saving Face There were actually a number of good (or at least decent) theatrical releases with lesbian characters this year, but Saving Face leads the pack for its winning combination of humor, romance, good acting, and a compelling story. As the first American theatrical release ever to feature an Asian American lesbian couple, it also brought some much-needed visibility to Asian American lesbians.

Honorable mention: D.E.B.S., for giving us our first lesbian action movie, and a funny one at that.

WORST THEATRICAL RELEASE

High Tension It’s hard to explain why this this French horror movie deserves this award without giving away the ending, so we’ll just say that although it’s not a bad movie if you like this genre–it received mixed critical reviews overall–it plays on all the worst heterosexual stereotypes about lesbians. And that’s so 2004.

BEST MUSICAL GROUP OR PERFORMER

Sugarland and Tegan and Sara (tie) The Nashville trio Sugarland, which includes openly gay singer/songwriter Kristen Hall puts the lesbian back in country music, and Canadian twins Tegan and Sara, for a breakout year which found them all over the American pop culture scene–from a cover by White Strips to playing on television shows like Grey’s Anatomy, One Tree Hill, and Veronica Mars and in movies like Monster-in-Law. Come to think of it, we’ll just overlook that last one…

WORST MUSICAL GROUP OR PERFORMER

Betty This lesbian-inclusive band of women (comprised of sisters Amy and Elizabeth Ziff, and friend Alyson Palmer) deserves credit for supporting GLBT rights and other important political causes over the last 20 years, long before it was trendy to do so. But in the last 12 months, they’ve become the Lindsay Lohan of the lesbian community. From writing and performing The L Word‘s new theme song to incorporating their performances, music, or cameos into every other episode, to coordinating the score for the season and providing commentary on the Season 2 DVD, to joining the third season writing staff, Betty has taken over the only lesbian series on TV to such an extent that even many fans of the group are saying “enough already!” To say they’re overexposed is putting it mildly.

Whether you like Betty’s music or not–and plenty of lesbians do–is really just a matter of personal taste, but listening to their music should also be a personal choice, and it isn’t anymore.

BEST HIGH-PROFILE LESBIAN(S)

Melissa Etheridge There are several reasons Melissa Etheridge deserves this honor this year, from her openness about surviving cancer and her relationship with her partner Tammy Lynn Michaels, to her triumphant performance at the Grammys and her tireless charity efforts on behalf of breast cancer research and the children impacted by Hurricane Katrina. Not to mention putting out a greatest hits album.

In short: Melissa Etheridge entertains us and makes it hard for the Religious Right to convince Americans that lesbians are evil.

Sheryl Swoopes and Portia de Rossi Both WNBA star Sheryl Swoopes and actress Portia de Rossi have long been rumored to be gay, but this year, they finally came out publicly, amid a firestorm of publicity and at some risk to their careers. While they were motivated primarily by personal issues that had nothing to do with becoming lesbian poster girls (including a lucrative endorsement for Swoopes, and a high-profile relationship with Ellen DeGeneres for de Rossi), they have helped to expand the American public’s concept of what a lesbian goes through, and looks like–Swoopes as one of the most high-profile African American lesbians in America today, and de Rossi as one of the most feminine. And both are pioneers in their respective fields: Swoopes is one of the only out players in the WNBA, and de Rossi is the only out lesbian series regular currently on network television (at least for the next week or two, until Arrested Development gets officially canceled). And they have made it that much easier for the next person to come out.

Honorable Mention: Ellen DeGeneres. While the publicity around her love life wasn’t always positive this year, it wasn’t any worse than the gossip generated by a thousand straight celebrities every year, and it was quickly overshadowed by the awards and high ratings she continued to receive for her daytime talk show. Of course, one of the reasons Ellen is able to hold onto the awards and the massive audience is by tacitly agreeing not to bring up gay issues on her show, but hey, everyone struggles with office politics, right?

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