Filmmakers Dominique Cardona and Laurie Colbert Don’t Give Up


Dominique Cardona and

Laurie Colbert’s story is a sort of cinephile’s dream come true. The filmmakers

behind acclaimed documentaries Thank God

I’m a Lesbian
, My Feminism, and the

recent festival darling Finn’s Girl

met and fell for one another over a mutual love of film — and they’ve been

working in their chosen field ever since.

“She didn’t speak

English and I didn’t speak French — and we just had our 20th anniversary,”

Colbert recalled. They first met in Paris, where Cardona was moonlighting as an

attorney and running a feminist cinema club on the side. “It was just

interesting that we didn’t start out at all speaking the same language. But we

loved films, and I think that’s what started our relationship.”

Dominique Cardona (left) and

Laurie Colbert

It’s not so hard to

imagine that a couple of strident film buffs would want to try their hand at

the craft, especially considering the passion both women have for activism and

their subject matter of choice: out and proud lesbians and feminists. “It

was 1988 or ’89, and we decided to do a documentary on something that we would

like to talk about and nobody thought to do,” said Cardona, “which

was lesbians who are happy with being a lesbian.”

That documentary became Thank God I’m a Lesbian. Cardona continued: “The only

documentaries at the time about lesbians were [like] ‘Oh, you have to forgive

them, because life is tough for them.’ We wanted to show lesbians who were

totally accomplished, and it was not about a coming-out story.”

Thank God I’m a Lesbian was just the beginning, and it showed off

the sensibility that all of Colbert and Cardona’s films display at their very

core, right up to Finn’s Girl. That

film took on issues ranging from abortion rights to single lesbian motherhood, and

centered on Finn (Brooke Johnson), a middle-aged abortion doctor and her

11-year-old daughter, Zelly (Maya Ritter), not long after Finn’s partner (and

Zelly’s birth mother) has passed away.

It may sound like heavy

subject matter for a first-time feature, but Colbert and Cardona were ready for

the challenge — particularly with their penchant for thoughtful,

feminist-oriented work. “Was it difficult?” Cardona asked. “Not

really,” she said, “because when you do a documentary, you have an

idea of what you want to speak about, but you have to wait for the people you

choose to interview to give you those little pearls that will be the core of

your film. The great thing about fiction is that you can decide to speak about

something, or some issue, or some people and you can have the actor say those


Colbert said: “Well,

first we did a short film called Below

the Belt
, which is a coming-out story about two girls. It did very well.

From there, it was interesting because — Alliance Atlantis wanted us to expand

it into a feature, and probably the dumbest thing we ever did was not do that.

We said ‘No, no, we want to do this film about a lesbian abortionist who’s in

her ’40s, that’s much more interesting!’ They were like, horrified, and that

was the end of that relationship.” She laughed.

The desire to do a film

that resonated on a deeper level really kept the filmmakers on track. “It’s

funny, because we had the idea for a long time after My Feminism,” Colbert continued, “because we really

wanted to do something about someone we felt was an activist, not necessarily

marching around — but we wanted to do a story about a woman who went to Gay

Pride, marched around, had a career, but was really like a dyke.”

After a pause, she added:

“You have to realize, we made a film called My Feminism and another called Thank

God I’m a Lesbian
— we’re kind of immersed in these things. We just live a

politicized life, so therefore that’s what interests us.”


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