Talking with Girl in a Coma

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Photo credit: Sarah Quiara

Girl in a Coma just want to be understood. The San Antonio-based trio have been

around long enough (eight years as a band) to have learned "what to do and

what not to do," as bassist Jenn Alva said.

But there are a few things they need people to understand.

First, they may be named after a famous song by 1980’s indie rock band The

Smiths, but they don’t sound anything like them.

"After a while, it gets old," said drummer Phanie Diaz. "We’re

fans of Morrissey, but we formed a band — and maybe we brought it on ourselves

— but we will never be [The Smiths], and we’re not trying to. It’s like they

don’t even listen to the album. ‘Oh they’re like the Smiths.’"

It didn’t help, of course, that The Smiths’ former frontman, Morrissey, came to

see Girl in a Coma play at the Viper Room in Los Angeles in 2007 and afterward, invited

them to open for him on a large tour.

"He really liked the music," Jenn said, acknowledging that there are

probably skeptics who think he chose the group based on their name. But like

having Joan Jett handpick them to be one of her label’s flagship artists, it

was a validation that only gave Girl in a Coma more reason to keep going.



Photo credit: Michael Rubenstein

In 2007, the trio released Both Before

I’m Gone
, a romantic, dark album that is clearly rock but with influences

from several other genres, including rockabilly, cabaret and Pasty Cline-esque

country.

Fronted by Phanie’s sister, Nina, Girl in a Coma released

a handful of singles, including "Say," a quick-paced, catchy

track, and "Road to Home," a song with a slow and light intro that

picks up the tempo in time to engage listeners in hand claps. The video for the

latter included drag icon Amanda LePore, and also included a cameo from their

mentor, Joan Jett.

Phanie said having Joan appreciate their music is a big boost, but it can also

perpetuate some boring interview questions and assumptions.

"I mean, it’s not a big deal, but you kind of get tired," Jenn said.

"It’s like, we’re always down for interviews, but it gets really tiring to

answer a million times. Like we were in Austin

and there was this girl, poor girl, she built it up, saying, ‘I have been dying

to ask you guys this!’ and we’re like, ‘Yeah? What is it?’ and she says, ‘How

did you get your name?’"

"I think we made something up once," Phanie said, "It involved

something like that I was a stripper."

Since the release of Both Before I’m

Gone,
Girl in a Coma has toured extensively on their own, as well as with

Morrissey, with another 1980’s band called The Cult and on the True Colors

Tour. They are currently switching from the opening slot on the Tegan and Sara

fall tour to opening for Bitch and the Exciting Conclusion. They’ve played a

whirlwind of venues, from rooms the size of garages to auditoriums holding

thousands of people.

"At first it was kind of intimidating to go from playing little shows to

huge venues," Phanie said.

"I like that, though," Nina said of playing venues where she is on

the same floor as the attendees. "I like playing those small kinds of

shows."

Their exposure to all types of venues is most likely why the band has one of

the most diverse fan bases possible: from punk lesbians to Goth teenagers to

40-something Hispanic men, the average Girl in a Coma concert is a melting pot

of music fans.

"I think the reason we’ve gotten to where we are is people telling each

other about us, word of mouth," Jenn said.

Girl in a Coma’s queer fan base is no doubt attracted to the

fact that Jenn is an out lesbian. Touring with gay-favorite Morrissey, and acts

like Tegan and Sara and Bitch, can only mean more gay women will be finding

themselves falling for Girl in a Coma.

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