Foxy BrownWomen who seek revenge and know how to get itSometimes you just have one of those days. Perhaps someone cut you off on the way to work, then you catch your backstabbing co-worker saying disparaging things about you to your boss in a power play to get ahead. And when the dreadful day is just about over and you are 10 minutes away from being able to soak in the tub or sink into the couch, you step outside of your office building, and a bird flying overhead craps on your new jacket. Suddenly, you start entertaining fantasies of recreating the scene in Fried Green Tomatoes where Kathy Bates screams “TAWANDA!” and rams her car into the car belonging to the insolent teenagers who cut her off in the parking lot.
Then you become giddy at the thought of slipping laxatives into your co-worker’s stash of Dr. Pepper. Finally, you muse that a variation of coq au vin called bluejay au vin may actually be quite tasty. Although you may recall that tired phrase you learned in Sunday school — you know, the one about turning the other cheek — revenge can certainly be cathartic. Yesterday, The Onion's AV Club published a list of films about vengeful women. You think you had one of those days? Many of the women in the films on the list have had one of those lives. No wonder some of them left a body count that rivals that of Genghis Khan’s rampage through Asia. … continue reading Submitted on November 4, 2008 at 3:00 pm Where are the women in hip-hop?As you may know, sample just aired the annual Hip-Hop Honors Awards Special, and BET is set to air their own award show on Oct. 23. You may also have heard that neither has nominated a single female rapper for anything. The absence of women from these award shows is disappointing, but hardly shocking; female emcees no longer have a high profile. Lil' Kim, Foxy Brown and Remy Ma are better known for their tabloid troubles than their music these days. Long-awaited records by Eve and Shawnna have yet to materialize, and while hip-hop groups in the '90s from Flipmode Squad to The Firm often included a token woman, crews these days are almost always no-girls-allowed boys’ clubs.
Many of the great emcees of yesteryear have gone MIA and not many new artists of any prominence have come to take their place. Still, while obvious go-to awards show favorite Missy Elliott wasn't up to much this year, she did have that single from Step Up 2: The Streets, and both Trina and Li'l Mama had relatively well-received new albums. As I've written about before, Jean Grae finally released Jeanius, and it was one of the best records of the year, period. You'd think BET could have scraped together something. And VH1's show honors artists who've made historic contributions to the genre, so they were definitely allowed to dig into the past.
This problem is way bigger than hip-hop; because we live in a racist and sexist culture, there are limited spaces for black women in pop culture across the board. It's unsurprising that the music industry is not clamoring for female rappers — hip-hop as a genre prizes aggression and a quick wit. Put these qualities together in a black woman and it's way too threatening to a white supremacist patriarchy. Black women have and will continue to push through anyway, but it's not for lack of obstacles. … continue reading Submitted on October 9, 2008 at 6:00 pm |
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