AfterEllen

Kimberly Peirce

Kimberly Peirce gets behind "The Knife"
by
Trish Bendix, Managing Editor
 on February 17, 2011 | Comments (3)
The out director has signed on to helm the action thriller, but as a female director, she's still an anomaly in Hollywood.
The guide to gay women at Sundance and Slamdance 2011
by
Trish Bendix, Managing Editor
 on January 20, 2011 | Comments (4)
Lesbian characters, out directors and panels from GLAAD at this week’s festivals.
blwe-10-10-08-dotz.jpg
Best. Lesbian. Week. Ever. (October 10, 2008)
by
Sarah Warn, Founder and Former Editor in Chief
 on October 10, 2008 | Comments (73)
Hilary Duff and Wanda Sykes fight anti-gay slurs, new Lola trailer, a groundbreaking event on All My Children, and more!
stoploss_dotz.jpg
Interview With Kimberly Peirce
by
AfterEllen.com Staff
 on March 25, 2008 | Comments (15)
The out director of Boys Don't Cry talks about her latest film, Stop-Loss, telling "real" stories, and directing The L Word.
Trailers: "Speed Racer," "Dark Matter," "Stop-Loss"
by
scribegrrrl, Contributing Writer
 on March 14, 2008 | Comments (9)
I'm not ready to commit to an entire movie for the weekend, so I thought I'd check out some trailers instead. First, the new Speed Racer trailer surface
And the Oscar goes to ... the wrong person
by
Ace
 on February 19, 2008 | Comments (60)
I have an Academy Awards fantasy. This Sunday, when the presenter opens the envelope for Best Achievement in Directing, I envision audible gasps, then stunned
Best. Lesbian. Week. Ever. (October 26, 2007)
by
Karman Kregloe, Editor
on October 25, 2007 | Comments (54)
Staceyann Chin visits Oprah, College Hill Interns goes gay, Greek gets a new sister-loving sister, and more.
Abbie Cornish, in her own words
by
Jamie Lynn
 on October 15, 2007 | Comments (5)
For reasons that have been lovingly discussed already, I've been looking forward to Elizabeth: The Golden Age. But for me, Cate Blanchett wasn't the onl
6 women directors and their groundbreaking movies
by
Ace
 on August 3, 2007 | Comments (4)
It seems to be a great time for women directors. They're currently earning critical and/or commercial success (e.g., Kasi Lemmons' Talk to Me and Sarah Polley's