Another list? Darn tooting! This time it’s about two great things that go great together: movies and music. CNN’s Screening Room has named its Top Ten Songs in Movies. Not soundtracks, not scores, but singles used during a particular scene. As expected, the list is heavy on the male-dominated scenes and, somewhat less expectedly, fairly violent.

10. Trainspotting, “Lust for Life” by Iggy Pop (opening scene)
9. Dr Strangelove, “We’ll Meet Again” by Vera Lynn (atomic ending)
8. The Royal Tenenbaums, “Needle in the Hay” by Elliot Smith (Richie’s suicide attempt)
7. Say Anything, “In Your Eyes” by Peter Gabriel (Lloyd’s boom box serenade)
6. Almost Famous, “Tiny Dancer” by Elton John (bus sing-along)
5. Muriel's Wedding, “Waterloo” by ABBA (talent show triumph)
4. Apocalypse Now, “The End” by The Doors (awaiting orders in Saigon)
3. Goodfellas, “Layla” by Eric Clapton (Jimmy’’s murder spree)
2. Reservoir Dogs, “Stuck in the Middle With You” by Stealers Wheel (ear slicing)
1. Easy Rider, “Born to Be Wild” by Steppenwolf (opening scene)

Now, I love Nos. 7–5. I had a poster of Lloyd’s grand romantic gesture from Say Anything on my dorm room wall. And I dare you not to feel unbridled joy as Muriel and Rhonda come out in their white ABBA outfits in Muriel's Wedding. This movie made me forever love Toni Collette and Rachel Griffiths. Heck, let’s watch it again, just because we can.

As for the other selections on CNN’s list, I would have picked a scene from Wes Anderson’s film Rushmore instead of Tenenbaums. And I would have gone for the “Girl, You’ll Be a Woman Soon” Uma scene from Quentin Tarantino’s Pulp Fiction instead of the unfortunate Van Goghing of a victim’s ear in Reservoir Dogs. Also, no mention of The Graduate anywhere on this list? Didn’t that film practically pioneer the use of popular music in movies?

To balance out the bloody and the manly, I thought I’d add some gay, girly and (whenever possible) gay girly selections to the list. Since CNN’s list makers seemed impressed by showy outer death and destruction, how about some quiet inner devastation? In Love Actually, Emma Thompson realizing her husband is being unfaithful — set to Joni Mitchell’s “Both Sides Now” — will break your heart, guaranteed. … continue reading

It seems like every time I think an actress is particularly gorgeous, someone in Hollywood decides to tell her she’s too fat.

A case in point: up-and-coming British actress Hayley Atwell, whose projects this year include the Woody Allen film Cassandra’s Dream (out in the U.K. on May 9), the Keira Knightley flick The Duchess (out in the U.K. on August 29, and the U.S. on September 12) and the big-screen adaptation of Evelyn Waugh’s novel Brideshead Revisited (out in the U.S. on July 25, and the U.K. on September 23). Now, I don’t know about you, but Atwell looks pretty perfect to me:

But apparently Miramax Films (the studio behind the new adaptation of Brideshead) didn’t think so. According to U.K. website The First Post, Atwell has reported that she was asked by the film company to lose weight for her role as Julia Flyte. It was only when co-star Emma Thompson (who will play Lady Marchmain) heard the news that things got resolved:

Says Atwell: "I went round to Emma's one night and she was getting very angry that I wasn't eating all the food she was giving me. I told her why and she hit the roof." The no-nonsense Thompson was so outraged that she called the producers the next day and threatened to resign from the film if they forced Atwell to lose weight. Faced with Thompson — a two-time Oscar winner — on the warpath, Miramax Films swiftly relented.’ … continue reading

Teri Polo, who did a stint on West Wing a couple of years back but is best known on the big screen for comedy, love interest, and comedic love interest (e.g., Meet the Fockers), is finally set to star in a movie that will not be a comedy. At least not intentionally. According to The Hollywood Reporter, in the indie film The Beacon, Polo's character, Sally Helppie, and her husband move into an old apartment building while mourning the death of their young son. Sally begins seeing the spirit of another dead boy, and with the help of her college professor husband and his college professor friend, they try to save him.

Save him from what undead dilemma, I know not, and I'm really not sure I care. If I wasn't over the “I see dead people” phenomenon after all of the ghastly copycats riding the ghostly coattails of The Sixth Sense, trying to watch a season of The Ghost Whisperer did me in. (The things I do to catch Aisha Tyler.)

Anyway, the movie's really not my point. Musing about the film, Cinematical.com's Monika Bartyzel pointed out the almost magical abilities of college professors in film to do everything from exorcising spirits to helping people figure out that the little voice in their head narrating their day might actually be Emma Thompson and not a condition requiring heavy medication. This is a movie cliché I could have mentioned last week.

As in the hallowed halls of academia itself, the guys usually bag the big roles, whether it's an action flick like Indiana Jones (where knowledge is power) or a Dead Poets Society, one of those inspirational teacher movies that are a genre unto themselves. But occasionally we get a woman professor. In Mona Lisa Smile, a free-thinking arts teacher tries to change her students and society. Julia Roberts fared a little better than Robin Williams, though. Lower death toll. … continue reading

Consider this the weekend of small lesbian parts. (I know, I know — there are no small lesbian parts, only small lesbian actors.) Several movie offerings include glimpses of gay ladies.

Saturday at 8/7c on HBO, Alicia Keys tries to make her character as straight as possible in Smokin' Aces. (When Keys first got the script, she asked, "What's this gay s---?" — and it all went downhill from there.)

After 30 minutes of that, you can give up and switch over to Cinemax (yeaahhh!) for Primary Colors (8:30/7:30c). Kathy Bates plays a "gay lesbian woman" (I swear that's what she calls herself) with a shotgun and a conscience. And the cast includes Allison Janney and Emma Thompson, too! This thinly veiled Clintonian saga from 1998 might seem like a brand new film, now that the real-life wronged wife has become a presidential candidate.

Finally, starting this Sunday at midnight, the first season of the critically acclaimed Mad Men will be rebroadcast on AMC. The season eventually includes a heartbreaking lesbian scene (is there any other kind?) — you can read all about that here.

And if none of those appeal to you, there's always The Fabulous Baker Boys on Fox Movie Channel at 8/7c on Saturday. No lesbian characters there, unless you count every woman in the audience when Michelle Pfeiffer starts slithering all over that grand piano.

Yesterday ... er, two days ago (see, I'm still in a post-holiday fog), I posted the first half of what I watched over the break. Here's the rest.

8. Little Children

As a Kate Winslet fan, I was really looking forward to this one. But by the end, I was disappointed and even a little annoyed. The characters seem to create their own problems and not really learn anything from their experiences. And I'm not sure Winslet was the right choice for the role — not that I minded seeing her naked!

Here's a clip of Winslet shocking the other moms at the playground: … continue reading

Are George and Mary Bailey perennial guests at your holiday celebration?

Or is Ralphie Parker's quest for a Red Ryder BB gun a more relevant Christmas story?

That's the question posed by Time last week. In a 2006 poll, A Christmas Story was the favorite holiday movie among ages 18–41, while the older demographic picked It's a Wonderful Life or Miracle on 34th Street. Perhaps, speculates the article, Generations X and Y find Ralphie's memories a bit closer to their own. … continue reading

Or at least on Sunday evenings, in the States, for viewers with PBS. But I'll take it! Come January, that revered, pre-A&E bastion of British drama in the U.S., Masterpiece Theatre, is hosting a four-month Austen marathon, replete with adaptations of all six major novels and a new biographical drama, Miss Austen Regrets. Dorothy Snarker wasn't kidding when she said it's Jane's world now.

First, the good news: Olivia Williams, aka Miss Cross in the only Wes Anderson film I enjoy, stars as "Miss Austen" herself.

Already so much better than Anne Hathaway (against whom I have nothing, but as Austen? I didn't get it). Greta Scacchi plays Austen's sister Cassandra, and since it took an embarrassing moment for me to realize that Williams and Scacchi are not in fact the same person, I can easily buy them as sisters. I'm also amused by the idea of a scene in which Austen "tipples most liberally" at a party. … continue reading

You've probably heard the news by now. On Friday night, J.K. Rowling told a packed Carnegie Hall audience that Albus Dumbledore, Headmaster of Hogwarts School of Witchcraft and Wizardry, is (was?) gay. More specifically, in response to the question of whether Dumbledore had ever found true love, Rowling responded that he was gay and that he had a thing for onetime friend and then mortal enemy Gellert Grindewald. (You can read a full transcript of the question and answer session here.)

I had hoped to be at this event, but my sweepstakes entry was not one of the 1,000 selected. Like the other 49,000 rejects, I had to read about the big revelation the next day. From both a character and big-picture perspective, this posthumous outing is significant. Not only did Rowling disclose that the most influential and talented wizard in the modern magical Harry Potter world was gay, but she affirmed something that was not at all clear in the books — that GLBT folks (or at least “G” wizards) exist in that world.

… continue reading

I find it encouraging that the audience reacted with applause (and some shock). And Rowling's response to that was, “If I'd known it would make you so happy, I'd have announced it years ago.”

Last week, E! Online's Reel Girl posted her "Incomplete Top 10: Great Cameos." The list ranges from obvious (Marshall McLuhan in Annie Hall) to random (this must be the only best list on which Dumb and Dumber appears, courtesy of Cam Neely) to wrong (Meryl Streep, yes, but in Stuck on You? No).

While I understand Reel Girl's "good lighting" theory (a well-done cameo makes everyone look better), I prefer scene-stealers to film-stealers, special moments of brilliance rather than lone moments of brilliance; even Streep doesn't make a lame comedy worth my time. Also, while blink-and-you-miss-it cameos are fun (see Cate Blanchett in Hot Fuzz or Julie Delpy in But I'm a Cheerleader), they don't require much, so they're not included.

My favorite bit parts fall into a few categories, and I'm sticking with the ladies exclusively. I'm also sticking to film — sifting through all of the Simpsons and Will & Grace cameos is daunting enough; add The Muppet Show and it's nigh impossible. Since the following is therefore an unscientific bunch of personal observations, discuss away!

The Hat-Tip Cameo: Chita Rivera, Chicago

Hollywood producers are far too obsessed with remakes, but if they must go there, I appreciate it when they doff their proverbial caps to original stars. Respect wins points every time, and as the creator of Velma Kelly on Broadway, Rivera deserves every ounce of respect she gets and then some. Her cameo as cell block diva Nickie in the 2002 movie adaptation is too brief, but any more would be unfair to successor Catherine Zeta-Jones — can't have the new star too far in the shadow of her elder. … continue reading

Toy maker Todd McFarlane and filmmaker Josh Olson just announced that they are undertaking a new version of The Wizard of Oz (not to be confused with the Sci Fi Channel's Tin Man). Although Wicked has earned quite a reputation, neither Diana Ross nor the Muppets could save previous Oz Redux attempts, so my initial reaction to this was skepticism.

Reading on, I wavered between intrigued (Oz as "dark, edgy and muscular"), relieved (Dorothy will not be "some bondage queen," a la McFarlane's disturbing dolls) and bored (the film will aim to capture Lord of the Rings fans). Then I got to the description of Dorothy as less "helpless singing girl" and more Ellen Ripley.

That's right: Dorothy 2.0. Better, faster, and able to take you out. No more wavering for me — if Ripley is going to Oz, I am going, too. … continue reading

Jane Austen never goes out of style. The founding mother of chick lit (I say that with love and respect; please don’t throw your dog-eared copies of Pride & Prejudice at me) has become cinema’s go-to wordsmith. Move over, Shakespeare: This is Jane’s world now.

Of course, adapting Austen’s books for the big screen is nothing new. But two upcoming films take it a step further this summer. They are inspired by the very woman herself. Becoming Jane (opening Aug. 10) and The Jane Austen Book Club (opening Sept. 21) both draw inspiration from Austen’s life. And both look, at first glance, pretty intriguing.

Becoming Jane features Anne Hathaway as a 20-year-old Austen at the start of her writing career and a crossroads in her love life. It sounds like, for lack of a better description, classic Austen. And Anne definitely fits the part. Broody writer looks good on her. … continue reading

Entertainment Weekly recently issued a list of the 25 best action movies. I skimmed it so fast, I almost sprained something, because very few of the movies appealed to me. I'm just not big on big exploding things. There are exceptions, of course (like The Matrix and the original Star Wars trilogy), but I tend to prefer films in which character development prevails over plot development — or at least doesn't disappear entirely in a flaming fireball or a rain of bullets.

So here's my list of inaction movies. In these films, the fireworks occur inside the characters' heads. Maybe the characters talk a lot; or maybe they think a lot but say very little; or maybe they actually do a lot, but the doing is less important than how they feel about what they've done. Or maybe it's not so much about a lack of action as an abundance of brain activity. Or maybe I'm overthinking it. Nah! Anyway, here they are. (The quintessential inaction movie is, of course, My Dinner With Andre (1981), but I'm not including it here because, hello? No women.)

13. Clockwatchers (1998)
It's right there in the title: In this movie about temporary office workers, all the characters do is watch the clock and plan to prepare to get ready to change their lives. It's like 9 to 5 on quaaludes. But I can't think of four people I'd rather watch do nothing than Toni Collette, Parker Posey, Lisa Kudrow and Alanna Ubach (she also happens to be my favorite part of Legally Blonde). Don't miss Debra Jo Rupp (the mom from That '70s Show) as the paranoid, pernicious head of personnel.

The trailer even crows, "In a world where nothing ever happens ..." … continue reading