Monthly news and reviews of queer women in music.
So often the word "original" is overused for new music, but there’s
nothing truer to describe the sounds Ponytail makes. The
Molly Siegel, who adds to the experimental nature of guitar rousing by calling
and crying her way through choruses.
Calling me from tour, Siegel told me she was not offended by my choice of
"Fly With Me, Lesbian Siegel" as a blog title.
"Heckler boys used to sing that to me in middle school," she said.
"It’s funny. How you used it is funny!"
I could already tell she was going to be a fun interview.
"I haven’t played an instrument or done music before being in [Ponytail],
but I knew I wanted to do something; I just thought it would be a solo thing,
like electronic," Siegel said. "I was inspired by Le Tigre in high
A girl after my own heart. Having met her male band mates in art school, Siegel
started attending band practice and said she was talked into trying out
singing. "I didn’t want the vocals to be the central part of the
music," she said. "We had a couple practices and jammed, and I
started doing this weird stuff. I was self-conscious about it for a long time.
I didn’t know what I was doing. It took me awhile to get
Siegel’s signature howling and calling are based on narratives ("abstract"
she calls them), so there is some emotion behind the sounds escaping her mouth.
Given that Siegel is an out lesbian, I asked if there was anything inherently
queer about Ponytail’s music.
"I think I would consider it queer because I’m in it," Siegel said
with a laugh. "But it’s also experimental and fun and you can dance to it.
It’s not Justin Timberlake or whatever, but I think that makes it more queer,
just it being weird."
Siegel recently submitted her own list of the Top 10 Gayest and
Greatest albums for an OUT Magazine poll, so I had to inquire about Siegel’s
personal picks, which included a few surprises.
"The Lil Wayne answer was a joke," she said. "I think Lil’ Kim
has definitely changed rap music for women. I mean Lil Wayne is a little more
questionable, how revolutionary he is in the queer world. But his music is definitely
enjoyed by a lot of queer people I know."
Siegel said she came out when she was 15, and she’s still not out to some of
her family members ("cousins and technically my grandparents, although
it’s obvious," she said) but she was sure her sexuality would come up more
as she does more press.
"I’m excited to talk about it actually," she said. "I think it
was pretty much assumed. Our publicist sent me an email about the Out thing and
kind of asked, ‘Is that OK? I’m just assuming.’ That was sort of the first
offer, and now it’s out in the open. But I figure if things get crazy enough
that my grandparents read about it, that will be the next awkward
Molly Siegel: She’s just like us, except almost famous.
LIVE SHOW REVIEW
Last week, I found myself amid a sea of lesbians. While this isn’t
completely unusual, it was a very large crowd, as I was attending my first-ever
Ani DiFranco concert. I know this might make me less of a gay woman in some of
your eyes, but to that I say, at least I experienced it once.
My girlfriend made me a playlist so I would be familiar with some of Ani’s huge
discography. Also, I had the new album, so I knew I’d be somewhat prepared. I
envisioned everyone in attendance singing along to each song, but the new songs
were so new, I wasn’t the lonely only one not moving her mouth.
I actually know more of her stuff than I thought. One song I recognized from Lost
and Delirious, and she actually played "32 Flavors," arguably her
best-known song that has since been covered by Alana Davis. And while the
singer/songwriter was somewhat talkative about politics on the mic, it wasn’t
nearly as righteous as I had expected.