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Review of “I Was a Teenage Feminist”

Therese Shechter is face-to-face with Gloria Steinem when she asks, “Has feminism become a dirty word?”

Steinem, of course, has been asked this before. Many times, in fact, since she’s been one of the faces of feminism from the 1960s to the present day. She remains poised as she answers that some people have made feminism into a dirty word, but she hasn’t let it become one to her.

I Was a Teenage Feminist is a documentary Shechter made to explore why she no longer considered herself a feminist, despite having felt she was one in her teens. A filmmaker/graphic designer living in New York, Shechter says in the film that she’s about to turn 40, and she felt the need to revisit the idea of feminism as she was ultimately not sure how she measured up in the world:

    Lately I’ve had this feeling like I don’t measure up. I’m not a wife. I’m not a mother, and I’m not a supermodel. What I am is a woman who feels incredible pressure to live up to a standard that I don’t even buy into.

She introduces this idea while standing below an oversized billboard of a lingerie-clad woman, glancing up at it with a wince.

The film serves as a personal journey for Shechter, who narrates and interviews friends and her mother as well as strangers. Her mother, who has had several professions and was once awarded “The Liberated Mother of the Year Award” from a group of her friends, says she is not a feminist; Shechter’s friend’s 20-year-old sister laughs off her Cosmo’s ridiculous anti-feminist articles and prides herself on being independent, but also claims she’s not a feminist.

Shechter really sets the scene for strong women denying feminism, and drives this point home when she shows both women and men in Times Square describing their idea of what a feminist is: a lesbian.

We shouldn’t necessarily take seriously what a group of young college men say to a camera in Times Square while laughing and nodding in agreement with one another. But it is extremely apparent in this documentary that both feminism and lesbianism are still being misconstrued as being (first and foremost) about hating men.

Shechter doesn’t comment much on this notion. Instead, she has a male friend ask the questions while she is behind the camera. Later in the documentary, she talks about getting over the stigma of everyone thinking she’s a lesbian if she claims to be a feminist.

Shechter is not a lesbian, as she maintains throughout the film, discussing how she’s afraid to tell the men she dates about her film and that a prospective boyfriend never called back after she’d mentioned the word “patriarchy” over dinner.

Shechter may not identify as gay, but there are several queer women in the film, including musician Gina Young, 28 Days Records label owner Nancy Scibilia, and the author of Look Both Ways, Jennifer Baumgartner.

Young is out and proud as a feminist and a lesbian. When asked if she considers herself a feminist, she nods quickly and with gumption, and then looks to her right at Scibilia, who pauses before answering, “I guess I have those thoughts that I’m not aware of, [that] everyone will think I’m gay or whatever. I mean, I am gay, but that has nothing to do with it.”

If only the college boys were present during this interview. They’d learn a lot: being a lesbian doesn’t necessarily mean you’re a feminist. And being a feminist certainly doesn’t mean you are a lesbian.

Shechter begins to feel as if she’s excluded from feminism, however, after attending a politically charged meeting of the minds with Steinem and leaders of organizations speaking on the many facets of feminism including gender roles, reproductive rights, queer women’s issues and women of color’s rights.

Despite being Jewish, Shechter claims to feel removed, and relays to another interview subject that the experience almost felt too “big” for her.

One of the next moves Shechter makes is attending a gay pride parade. She prefaces the event by saying she is unsure about going because she feels like she will be surrounded by the most feminist group of people she has been around since the previous conference she attended (where she was overwhelmed with how “big” and noninclusive feminism felt to her). But ultimately, she feels like the parade is one of the best places to be “out” about being the feminist she thinks she might be again, and she enjoys talking to the creators of sold-out bumper stickers such as “Abort Bush.”

In a natural progression, the filmmaker then attends the March for Women’s Lives in Washington, D.C., where she talks with women on both sides of the debate regarding abortion rights. A discussion with a pro-life woman who calls herself a feminist yet denies a woman’s right to her own body leaves Shechter a little more confused.

Schecter ultimately concludes that being a feminist might come loaded with preconceived notions, but she says she’s “going to be labeled so she might as well choose one she likes.”

I Was a Teenage Feminist comes off as a kind of Feminism for Dummies, with definitions being read from the dictionary and subtle arguments with interview subjects on why they don’t consider themselves feminists.

But the conclusion isn’t clear. Shechter may come to terms with the idea that she will call herself a feminist if it doesn’t mean others might think she’s a lesbian, or when she’s not on a date, but there isn’t a resolution to the problem presented in Steinem’s original declaration: some people are trying to make feminism a dirty word. They have been, and they continue to.

How does that change who identifies as one and how the movement continues to evolve? How does feminism reach the young women of today?

As the credits roll, we’re left with a vignette of Shechter preparing for an outing by donning a feminist T-shirt. She tells a friend she’s coming out as a feminist and jokes that she’ll be telling her parents soon.

“Do they have any friends with children who are feminists?” a friend behind the camera asks, laughing.

Shechter says they should be fine with it, laughing along. Perhaps they will be, even more than the filmmaker seems to be herself.

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