Piper Kerman, the memoirist behind Orange is the New Black, went on Fresh Air yesterday where she talked about the truth vs. fiction of the Netflix series. On having to share a cell with her ex-girlfriend, who put her in prison:
“Truth is much stranger than fiction when it comes to the criminal justice system. Actually being able to confront her brought me to the point of recognition that my situation was my own responsibility and my own fault. She offered me an ‘opportunity,’ but I chose to take it. She didn’t hold a gun to my head; she didn’t make me do anything. She asked me and I said yes. I think that if I had not been brought face-to-face with her I would never have gotten quite to the point of taking full responsibility for my actions.”
There’s also a lot of talk about lesbian wives in prison. (Prison guards would say, “Don’t be gay for the stay”; some women would try to “turn straight girls out” but Piper didn’t see that happen often.) If you want to know more about what’s real, read the book. (Duh.) Otherwise, watch this!
Oh, man. That’s a tough question. I don’t know. I mean, honestly, I’m a little biased because I love my character. Obviously you want Alex and Piper to be together and it to be amazing — but it’s not. Alex is a drug dealer, and Piper is a manipulative narcissist. It’s an interesting, tumultuous relationship. But I don’t know if they should be together, honestly, because what happens at the end of the season, when you see that Piper chooses Larry, it’s like, you know what? Good. Get away from me. Because Piper is just as toxic as Alex is.
Amber Heard talked about “a large black dildo” on Conan last night.
Another day, another Rihanna lesbian rumor.
South of Nowhere fans, Gabrielle Christian stars in a new web series called CTRL.ALT.DEL. and the first episode is up for your viewing pleasure.
Somer Bingham (The Real L Word) has a new video with her duo Clinical Trials. Somer told Bullett:
“‘Polly Got Away’ is something like an homage to the song ‘Polly’ by Nirvana, but it turns the perspective back around to the heroism of the victim. Cobain was able to make us empathize with Polly’s captor, and in such a hauntingly beautiful manner. We wanted to spin that around, in our own electro-grungy, riot grrl, frenzied way, to re-imagine this empowered woman who frees herself.”