Suzanne Vega faces the "Beauty and Crime" of New YorkI've been a Suzanne Vega fan for a couple of decades. So I'm happy she's everywhere right now, doing interviews to promote her new album Beauty & Crime (released today).
If all you know of Vega is her hit 1987 song "Luka" or that infernal remix of "Tom's Diner," you owe it to yourself to take another listen. Vega has never stood still musically — she's probably tired of hearing words like "experiment" and "evolution" in reference to the many musical paths she has traveled.
Despite that adventurous nature, there have been few missteps in her long career. Sure, she seemed to stand back from the limelight for a while (she even opened for Ani DiFranco when it should have been the other way around). But just pick a random song to stream on her website and you'll soon see (er, hear) that she's always been nothing but solid. Even when she's doing visionary things like performing in Second Life, she shows her acoustic folk roots and her dedication to careful songcraft. How many artists take the time during an interview to talk about finding the right chords? Vega's new album Beauty & Crime is produced by Jimmy Hogarth, the man behind KT Tunstall's debut. Vega first envisioned it as "a mosaic of little stories about New York based on things people had told me or things I had seen or felt or heard." And both The New York Times and New York magazine are passing along Vega's own story, which makes for a fascinating read.
The songs on Beauty & Crime are short and singable, but as rich and vivid as anything she's done. Vega's lyrics have always read like poems; I remember studying the insert to her 1985 eponymous album (OK, mine was a cassette) and feeling like I had picked up one of my sister's Joni Mitchell albums by mistake. As soon as I read, "I want to live as an honest man / To get all I deserve and to give all I can / And to love a young woman who I don't understand" (from "The Queen and the Soldier"), I was hooked. And then there's Vega's very lesbian-ish air. Yes, she's married to a man (for the second time), but the woman has always known how to wear a jacket.
Plus, don't tell me "Marlene on the Wall" and "Solitude Standing" aren't kinda gay. And on her new album, there's "New York Is a Woman":
Fine, fine; maybe the word is "woman-centered," to borrow a phrase from the days of "Luka." Whatever it is, I dig it. And her.
You can stream Beauty & Crime on Suzanne Vega's offical website and buy it from the usual retailers. (It will soon be available from the Logo shop too, and older Vega releases are there now.) Submitted by on July 17, 2007 - 2:44pm. |
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She is for sure one of the
thanks
....for the Marlene on the Wall mention. One of the more significant, angsty tunes from my teens. Still gets me, everytime I hear it.
whoa cool lyrics.... i
Suzanne Vega
In Liverpool with Suzanne Vega
She's touring, so get tickets if you can. I saw her at the Philharmonic Hall in Liverpool (UK), which has great acoustics for small bands, not just orchestras (Nanci Griffiths is awesome in this kind of setting, too).
I got a bit worried when she walked out on stage alone, but by the time she'd finished singing Tom's Diner without any backing I was convinced it would be a great concert. The four musicians then joined her on stage and the first half was mostly devoted to the new album; New York is a Woman being a highlight, but I also liked Frankie and Ava. I hadn't had time to listen to Beauty and Crime before the show, so I felt a little left out in a way. However, she does have a very subdued style of performance, so it's not a jumping up in your seat kind of event.
The second half (of about an hour and a half set with three encores), included all the 'hits'. Marlene on the Wall has always been a favourite of mine, and the quality of Vega's voice remains unsullied in its delivery. Luka got a standing ovation, but given the location, In Liverpool got the best reception!
Her website has her up to date touring schedule.
Stockings
I'm surprised "Marlene on the Wall" and "Solitude Standing" were mentioned and no word on the lesbian-ish "Stockings"... Here is what she said about the song, in a 1999 interview:
Q: And how does the night of gin and tonic, when you realized that friendship ends and passion begins between the binding of a friend’s stockings?
A: The truth is nothing happened. Actually it’s about three different women, that I found myself drawn to. It was along time ago and nothing happened…
Q: Why?
A: One used to travel all the time and send me postcards, the other had a girlfriend and the third informed me that I’m not gay.
Q: Working with a producer, who’s your husband, on songs about passion -- isn’t it just a little complicated?
A: It’s very complicated. Especially in this song. Go explain a fantasy you had 10 years ago. Every married couple has fantasies, but they don’t have to talk about them. We really didn’t have much choice. But I’m good at describing things from the side, from a distance and not do them.
The whole interview can be found here: http://www.suzannevega.com/words/press/1999/june25.aspx
Great show
OMGs!!!
Thank you for the posting on Suzanne Vega...She's a fabulous artist and deserves all the attention that she can get!
And, 411, the "Tom's Diner" remix wasn't really that bad...And, it gave much deserved praise and attention to our Ms.Vega! <3
Her steam and stain is the passion we feel endlessly
I love and adore Suzanne Vega, she is one of the greatest artists of our time. And she is an artist in every sense of the word, its music and poetry in her writing.
I recently got the chance to see her perform in liverpool and shes so talented and open. She was funny and witty between songs, so giving to the audience. I adore everything she has ever done and can't wait 'til I see her again as she took my breathe away with every note she sang.
I have a cunning plan