Top 5 queer Asian-American women in entertainment and mediaMay is Asian Pacific American Heritage Month, which provides a perfect opportunity to give a shout out to the queer Asian-American women who have been out both in front of the camera and behind it, giving a much-needed face to the queer Asian-American community. 5. Alice Wu
The Stanford-educated computer scientist-turned-filmmaker burst onto the queer scene in 2004 with her debut feature film, Saving Face, about a Chinese-American medical student, Wil (Michelle Krusiec), who falls for a dancer, Vivian (Lynn Chen). The film, which began as a wholly independent feature from an unknown and previously untested director, went on to be picked up for distribution by Sony Pictures Classics, making it the first theatrically released film about an Asian-American lesbian. Wu is currently working on her second feature film, Paramount's Foreign Babes in Beijing, an adaptation of Rachel DeWoskin's memoir about a 21-year-old poetry major who goes to China to work for an American PR firm, then tries out for an acting job on a whim and becomes an overnight success on a Chinese soap.
The out Indian-American director and actor's first feature-length film, Chutney Popcorn (1999) earned both critical and popular acclaim, taking home audience awards at both Outfest and Frameline that year. The New York Times' Stephen Holden wrote: "The story of an Indian-American lesbian who impulsively decides to have a baby for her married, infertile older sister carries off the tricky feat of being wisecracking one minute and serious the next while staying true to its characters and sustaining a jovial easygoing tone. Here is one comedy that actually earns its mostly happy ending." Ganatra went on to direct Cosmopolitan (2003), a PBS film about an Indian-American family and starring Purva Bedi, who was recently cast in the upcoming When Kiran Met Karen, as well as the romantic comedy Cake (2005), starring Heather Graham (Gray Matters). She hasn't been idle since then, either. Look for her in Margaret Cho's Bam Bam and Celeste this summer, and in the upcoming Don't Go, a TV series debuting at Outfest this July.
Shimizu first gained our attention back in the early '90s when she became the face of Calvin Klein's unisex One cologne, but she really made headlines when her brief relationship with Angelina Jolie in the mid-'90s (the two met on the set of the film Foxfire) became public knowledge. After the Jolie affair, Shimizu dropped out of sight for awhile, but the motorcycle-riding, tattooed model-turned-actor began to test the Hollywood waters again a couple of years ago. She appeared on an episode of America's Next Top Model, dealt with even more rumors about her love life (this time involving Madonna), floated a reality series on the now-defunct Q Television Network, and recently played the part of Laurel in POWER UP's first feature-length film, Itty Bitty Titty Committee. Last month, here! announced that Shimizu had been cast in Season 3 of its supernatural soap, Dante's Cove, so we can be sure to see more of her in the future. (Or watch this video of her talking about motorcycles and girls on our Video Picks page now.) 2. Margaret Cho
The outspoken comedian has always been one to lay it on the line, being open about everything from her relationship with her mother to her feelings about racism and her sexual experiences with women. In 1994, Cho was also the first Asian-American actor to carry her own prime-time show, the short-lived sitcom All American Girl. Its cancellation sent her into an alcoholic depression, but she turned that experience into the nationally touring, hilarious 1999 performance, I'm the One That I Want. After that rousing success, Cho went on to produce two more national one-woman shows, Notorious C.H.O. (2002) and the politically charged CHO Revolution (2004). In 2005, Cho wrote, produced and acted in the feature film Bam Bam and Celeste, which hits theaters (and will be available on DVD) later this summer.
Journalist Helen Zia has been reporting on the Asian-American community and feminism for decades (she is a former executive editor of Ms. magazine). Though pressure from feminist and Asian-American groups in the 1970s kept her closeted during the early years of her career, Zia has long since been an openly lesbian activist and writer, covering stories on date rape, women in neo-Nazi organizations and homophobia. Her work in the civil-rights case that arose after the murder of Vincent Chin was documented in the Academy Award-nominated film Who Killed Vincent Chin? In 2000, Zia's book Asian American Dreams: The Emergence of an American People was a finalist for the prestigious Kiriyama Pacific Rim Book Prize, and in 2001 she co-wrote with Wen Ho Lee My Country Versus Me: The First-Hand Account by the Los Alamos Scientist Who Was Falsely Accused of Being a Spy. These days, Zia is an active part of the marriage equality movement, and married her partner, Lia Shigemura, in 2004 in San Francisco. Who else has made a difference in the way that lesbian and bi Asian Americans are perceived in the media? Tell us in the comments, and come back tomorrow when I'll highlight some of AfterEllen.com's past coverage of queer Asian women. Submitted by on May 23, 2007 - 4:07pm. |
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4. Nisha Ganatra

1. Helen Zia
Madeline Lim
I nominate Malinda Lo
as #6. It's all you, M Lo. Here, I'll even write your segment.
Not so much behind the camera, but occasionally in front of it, writer, benevolent editor and all-around smarty pants, Malinda Lo covers lesbians in entertainment and media with style and ridiculously well-researched aplomb.
the hyphen
there's been a lot of debate about this, but using "asian american" rather than "asian-american" might be more accurate nowadays.
as for other women, how about singer-songwriter/poet/activist magdalen hsu-li?
hyphens
no one else
an appropriate and well-stated rule of grammar. couldn't have said it better myself!
seriously, this might be the end-all and be-all list of queer asian-american females. there's no one else to name! i can think of women who say they've experimented with their sexuality, e.g., lucy liu, but, uh, i don't think there's anyone else. . . .
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you can dance
you can jive
having the time of your life
ah, that makes sense...
thanks for the list
Great list, too short
Yay!
Inclusion?
I think this is a wonderful list. Thank you for compiling it.
I understand the focus is Asian American lesbian or bisexual women who have contributed to the positive images of API lesbian or bisexual women in the media, but I think if the interest is on positive portrayals, then inclusion of women who are not necessarily identified as lesbian or bisexual should be included. In particular, I'm thinking of the director Georgia Lee (Red Doors) and the producers Jane Chen and Mia Riverton (I think that I read somewhere one of them did openly identify as bisexual). Even though the focus of the movie was not a lesbian relationship, I believe the true contribution of this film is the inclusion of lesbians in a film as complex characters as opposed to one-dimensional-practically-a-postscript characters identifiable by "queer" markers or the even more common invisible queer characters.
Maraming salamat!
teddy