"Little Women": Was Jo March really a lesbian?I don’t remember exactly how I came across it, but a while ago I stumbled upon an online list that an organization called the Publishing Triangle had made of the “100 Best Lesbian and Gay Novels of all time." Since I was a literature major, and reading is still pretty much like breathing for me, it was an interesting list. There were the overtly gay-themed novels you might expect — E. M. Forster’s Maurice, for example, and Radclyffe Hall’s The Well of Loneliness — as well as books that I recognized as subtextually gay, even if it’s not quite made explicit: D. H. Lawrence’s Women in Love (which, somewhat counter-intuitively, is really about men in love with each other), and Henry James’s The Bostonians. One selection, at No. 43, came as a pretty big surprise, though: Louisa May Alcott’s Little Women.
I thought about this. Little Women? Really? I mean, yes, Jo March was a tomboy; yes, she had a propensity for dressing up in men’s clothes and swaggering about; yes, the handsome, wealthy, intelligent, kind boy next door was in love with her, and she just wanted to be friends. But it still seemed like a pretty big, and presumptuous, leap to me, to claim it as a lesbian novel. Until I did some Googling, that is, and came across this quote from the Penguin Classics introduction to LW:
Well. Um. Words mean different things at different periods of history ... but still, as statements go, that one seems pretty unambiguous. Jo is a fictional character, of course, and not a literal representation of Louisa May Alcott — but with her literary aspirations and her position as the second of four sisters, she has long been looked on as a sort of alter ego for her author. I began to look at her marriage to Professor Bhaer (in a later book, Good Wives) in a slightly different light. I also began thinking about the three Hollywood film versions of Little Women, and the Jos there. If you don’t count two early silent versions, then the first one, with Katharine Hepburn, was made in 1933:
Although I’ve never seen it, I can’t help thinking that the woman who played Sylvia Scarlett could probably bring some lesbian subtext if needed:
The most recent adaptation was the one with Winona Ryder, in 1994.
Although I don’t really find Winona Ryder a convincing tomboy, no matter how many fake mustaches she draws on herself, the screenplay does contain some interesting quotes. Jo’s manner of admiring Laurie, for example, is to say, “If I were a boy I'd want to look just like that.” And when she has turned down his marriage proposal and is upset that Aunt March has chosen Amy rather than her to go to Europe, she says, “I'm sorry, I'm sorry Marmee. There's just something really wrong with me. I want to change, but I — I can't. And I just know I'll never fit in anywhere.” That film also spawned a close friendship between Ryder and co-star Claire Danes; which I mention for no better reason than as an excuse to post these pictures:
The first Little Women adaptation that I saw, though, and my personal favorite — even if it always seems to get ranked lowest in critical discussions of the three — is the 1949 version, with June Allyson as Jo.
Not only does Allyson bring a convincing swagger to the role, but the film also contains a couple of scenes that, in retrospect, are interesting from a lesbianish point of view. Since I don’t want to ick anyone out here, I should begin by saying that I am well aware that Janet Leigh (as Meg) is playing Allyson’s sister in the film. At the same time, the fact that the actresses are not sisters in real life makes me feel not totally unjustified in noting that there is a particularly strong, possessive, jealous element in Jo’s reaction to Meg’s suitor John Brooke, that at times does kind of seem to verge on the lesbianish:
(Of course, it could just be that I am projecting my feelings onto Jo, because I have a crush on Janet Leigh).
In the film, as in the books, lesbian subtext is pretty firmly submerged by the end. Jo meets the very likeable Professor Bhaer, and any questions the reader might have had about her sexuality earlier on seem resolved: she simply hadn’t met the right man yet. It is interesting to note, though, that in the third volume of her March family quartet, Little Men, Alcott introduces a new character called Nan, who in many ways is a younger version of Jo: tomboyish, athletic, rebellious. By the last volume, Jo’s Boys, Nan is a young woman and training to be a doctor. But although she is devotedly pursued by one of the male characters, she is determined to stick to the single life, saying that “[I] am very glad and grateful that my profession will make me a useful, happy, and independent spinster.” This aim, Alcott tells us in the last chapter, she goes on to fulfill. Submitted by on December 5, 2007 - 3:31pm. |
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Nice!
Jo is definitely a gender outlaw--but I agree, to call her chracter a lesbian is wishful thinking...
Christmas? Christmas means dinner, dinner means death! Death means carnage; Christmas means carnage!
-Ferdinand the duck
Lesbian wishful thinking ...
You know what other character is lesbian wishful thinking? Anne Shirley from Anne of Green Gables. especially her out right hatred of Gilbert for the first book, and her reluctant friendship in the second .... I really think she married him JUST because he had scarlet fever. Anne guilted herself into it.
And what’s he then that says I play the villain,
When this advice is free I give, and honest
Anne Shirley
Anne (with an 'e') Shirley!
I thought "I" was the only one who yearned for Anne to be a lesbian. She has such the same head and heart to be (-: (-: (-: (-:
Can someone please re-write Anne of Avonlea, keeping this in mind?
Pretty pretty pretty please?!! :'(( :'(( :'(( :'((
Gosh... but whatsoever might it be, I LOVE Anne Shirley nonetheless!!
Not really "gay"....
Agreed...
about Queer as an appropriate description of Jo. 3-cheers for Alcott and James!...no matter what you call their books, it's always a "good thing" to upset and subvert heteronormativity. *raising a cerveza to them*
Girls are so queer you never know what they mean.
-Louisa May Alcott (chapter 12 of Little Women)
this makes me so happy
I lOVE little Women! I've always indentified with Jo (being crazy about reading and having a bit of a temper, but a good soul underneath) and now I (maybe) have another reason to identify with her :)
Thanks for the info, browne :D
Oooooh
"likeable professor bhaer???"
I've read Little Women hundreds of times. I effing hate Professor Bhaer. HATE. Ugh. He was so nice and ... uninteresting and made absolutely no impression on me. On the other hand I LOVE Laurie, which is surprising. >_< Sometimes when I read/watch the movie I stop around the part where Laurie is proposing and pretend Jo accepted him. If she wasn't gay she might as well have married her best friend. >_< Sheesh....
Sometimes I skip the part where Beth dies too unless I'm ready for a good cry. ^_^
I never got Prof Bhaer either
Good post.
I appreciate your comment about not wanting to conflate LMA's life / character with Jo's, even though she is frequently looked upon as an alter-ego. That said, one need go no further than the text itself for lesbian subtext and all its chocolately goodness.
I know they're sisters, and I really don't think there was off-page canoodling in Little Women, but, at least some sort of possessive desire for Meg? Totally:
"I knew there was mischief brewing. I felt it, and now it's worse than I imagined. I just wish I could marry Meg myself, and keep her safe in the family."
Oh, and the June Allyson version was the first I saw as well and remains my favorite. And yay for "Jo's Boys," even if it does have Jo / Bhaer in happy domestic harmony.
Eh, no dice
Don't you just love binaries?
That seems to be the problem with any mainstream depictions of women loving women. Once they realize they're attracted to members of their own sex, it's like they have to choose between two identities: straight or gay. Erm, hulloh?!?! And though I have tremendous respect for Tara, Willow and Oz's relationship was just as deep and loving IMO. And I'm also a firm believer that one of the great loves of Willow's life was Xander, whether that love should have remained platonic or not. Hey! I just figured out what about Willow's characterization has been bothering me so long!
As for Jo, the possibility of her being bi sounds more than interesting. Not to mention it's totally plausible. And Christian Bale (Laurie in the 1994 version) does have a certain butch air about him, doesn't he?
Nan
There's also the stuff
What stuff was that? Do you
A Long Fatal Love Chase
I've not read it, but it's in my collection of books-to-read at home. I think (at least, wikipedia thinks) that her pseudonym was A. M. Barnard.
I'm amused by the existence of racy Alcott novels, especially considering how frowned-upon they are in Little Women and Rose In Bloom. Hee.
I loved Rose in Bloom
Rose shoulda got with Phoebe. You COULD see it as subtext but not really. I think Jo was really borderline gay but Rose just isn't.
I think she wrote the racy novels cos they made money. ^_^ There are a couple of anthologies: Behind A Mask, A Whisper in the Dark, and The Lost Stories of Louisa May Alcott. They're so tame by today's standards. ^_^ All about scary things like gambling, smoking, and revenge! ^_^
L.M. Alcott wrote Eight Cousins, Little Men, and Jo's Boys as well. There are two others but sadly I don't have them. Jack and Jill I think?
Can you tell I'm an obsessive fan? T_T
Rose / Phoebe
Rose / Phoebe is certainly preferable to Rose / Charlie. Though, in reality, Rose and Phoebe seem to participate more in the whole "really intimate, strangely erotic friendships" thing.
I know! Do you remember the part in Rose in Bloom when her uncle is like, "Oh, those French books are indecent. If you can't talk about them without blushing, they are not proper reading material for young ladies!" I love the moralizing, knowing that LMA was writing about the horrors of gambling on the side. :)
Yeah, I think Jack and Jill is one (though I haven't read it) and An Old-Fashioned Girl (which I have read, and loved as a kid. It's like a shortened version of the Rose-books).
Hey, reading LMA was a large part of my childhood. Well, reading in general was. And not so much childhood as childhood, adolescence, adulthood. ;)
"From Jo March's Attic: Stories of Intrigue and Suspense"
From Jo March's Attic is the book I read ages ago. It's a compilation of her anonymously or pseudonymously-published short stories. Madeline B. Stern is the main person behind the discovery/republishing, if you want a starting point for googling.
"From Jo March's Attic: Stories of Intrigue and Suspense"
From Jo March's Attic is the book I read ages ago. It's a compilation of her anonymously or pseudonymously-published short stories. Madeline B. Stern is the main person behind the discovery/republishing, if you want a starting point for googling.
All time Fav.
Professor Bhaer
I wouldn't necesarily consider Jo's marriage to Professor Bhaer as a definitive sign that she is not gay, or that Alcott didn't envision her as being gay. When Alcott originally wrote Little Women, she ended the book with Jo still being single. The publishers then told her that they did not want to publish a book in which the heroine ended up alone. That's when she decided to introduce the character of Professor Bhaer. The idea was that, if she was going to have Jo get married, it would have to be to someone who challenged her intellectually, rather than a romantic marriage, like those that Amy and Meg have.
Even within the story, the marriage does not give a definitive answer regarding Jo's sexual orientation. The marriage itself is presented somewhat as a concession on Jo's part to the norms of the society that she is in. Her decision to marry him is essentially her acceptance of the notion that women are supposed to get married and be taken care of by their husbands. She only starts to think of him in any sort of affectionate way after the death of her sister, when she is left without any real companions. Also, her feelings coincide with her discovery of a different, less sensational writing style, which he had encouraged previously. Therefore, her feelings towards him are more based on intellectual growth than on romantic love.
So, um, that was my really long way of saying that I don't think Jo's marriage to Professor Bhaer rules out the possibility that she was actually a lesbian.
Jo vs. Joe
Certainly an androgenous name for her character.
Little Women
Little Women was one of my favourite books as a kid. I totally related to Jo. So much, in fact, that when my friends and I played games like 'house' my pretend name was always Jo.
All this is making me realize how totally gay I've been my whole life...
You're making me remember . . .
My first literature crush! Because I totally fell in love with Jo March when I first read the Little Women. She's still my most memorable literature crush.
This blast from the past makes me wonder if there is any fanfiction based on Little Women out there. Does anyone know?
my favourite
i watch the movie when i was 10(1949 version, i think this is the best), i just loved it, makes me laugh and cry. i identified a lot with Jo, i guess because i like to read and make things like jump, run and play soccer. i don`t know if she was gay but definitely maybe.
Shirley
Talking about classics with subtext, how about Shirley by Charlotte Bronte? Shirley is a tomboy, Lord of her Manor (as she calls herself) and the closest relationship by far in the book is between Shirley and Caroline. At one point in the book, Shirley has gone around and met all the young ladies of the village, and it says "If she had had the bliss to be really Shirley Keeldar, Esq., Lord of the Manor of Briarfield, there was not a single fair one in this and the two neighbouring parishes, whom she would have felt disposed to request to become Mrs. Keeldar, lady of the manor." Shirley tells that to her governess, and her governess says "My dear, do not allow that habit of alluding to yourself as a gentleman to be confirmed: it is a strange one. Those who do not know you, hearing you speak thus, would think you affected masculine manners."
Baby-dyke, no? I mean, what straight girl upon meeting a bunch of other straight girls would immediately start wondering about which one she might marry?
Villette, too.
I clicked on the title "Shirley" hoping against hope it would be about CB! And so it was! Yay!
Definitely Shirley (which is not read nearly enough, by the bye).
Also, if we're on a Brontë kick, how about Villette? Remember the scene where Lucy Snowe cross-dresses and takes part in the dramatic production opposite Ginevra?
“I know not what possessed me either; but somehow, my longing was to eclipse the ‘Ours:’ i.e., Dr. John. Ginevra was tender; how could I be otherwise than chivalric? Retaining the letter, I recklessly altered the spirit of the role. Without heart, without interest, I could not play it at all."
I've always thought that Lucy's interest in acting was strangely erotic--"the spring demanded gush and rise inwardly" --for example, so yeah, let's queer Brontë novels, shall we?
(Or what about Dickens? Esther in Bleak House?)
This is fun!
Well, Charlotte and Anne Bronte were both rabid feminists (Charlotte more foaming-at-the-mouth than Anne, but Anne more rational - look at The Tenant Of Wildfell Hall, not many people had divorced women as their heroines back in the day). I think Charlotte had a lot of love and respect for women, and thus her female characters tended to be more interesting than her male ones... and so it might make sense for the other female characters to prefer them ;)
I hope Fanny Price never met Lucy Snowe. She would have been shocked - shocked!
Fanny Price?
Well, if you'd like to start a discussion on the lesbian subtext of Mansfield Park, I would be more than willing to do so. ;) Even the recent "adaptation" by Patricia Rozema highlights it! (Admittedly, I like Rozema's adaptation a lot as a movie, but not so much as an adaptation).
Fanny's certainly fascinated by Mary Crawford, no? And those scenes where Fanny stands in Edmund's place, only to hear Mary recite, "None but a woman can teach the science of herself" (from that racy, horrible play that Sir Thomas will so disapprove of!). ;) Ok, so I'm slightly kidding here, but I do think that one could argue compellingly for some kind of homoeroticism in Mansfield Park.
And yes, Anne Bronte was quite gutsy with Tenant. It's a shame her work isn't given a lot of recognition even now.
Lovers' Vows
Hmm... Mary Crawford is more fun, and I could see her hooking up with Julia or Maria, but I think that Fanny Price just doesn't have the imagination necessary to think about Mary naked. I don't think she's even straight. I think she just needs to get married because that's what people do. It's possible that Jane Austen also felt that way about her...
So who else shall we pick on? I think Gwendolen Harleth would have made a lovely lesbian.
Rears and vices.
Mary has a lot of homoerotic potential, I think; she's clearly aware of male homoeroticism, right, with her pun on having seen plenty of rears and vices because of her uncle, right?
Fanny confuses me. I'll leave it at that.
Gwendolen would have been an excellent lesbian for a good many reasons. I mean, firstly, there's all of her comments about fearing heterosexual sex, and disturbing imagery / metaphors to describe her experiences with it. The comparisons to Artemis and virgin goddesses ... interesting ideas about Gwendolen's sexuality. She's snake-like in so many points in the text, too, for which there's an interesting tradition of snakes / female homoerotic (or autoerotic) activity.
What do you think? Hmm, other Victorian lesbians... or characters I want to read as queer ...
Ahhh Jo
I remember reading that in Freshman year in HS and being IN LOVE with Jo. I even dreamed of her holding me in her arms (albeit not in the sisterly way) like she did to poor Bess.
Besides being a great actress, June Allyson was a wonderful person. Got to meet her and speak with her a few times. As feisty in real life as she was on the screen. Her brother was a surgeon we worked with in CA.
I just always assumed...
I always assumed she was
Or rather, I remember being upset when she got married. Which was, in retrospect, my way of assuming people were gay when I was younger - getting upset when they were obviously shown to be at least, attracted to men.
Let's face it - even if she was a real person and she was gay, she would probably have gotten married in that time. So more recently, I can view that marriage as the best opportunity for a basically gay woman.
LOL!
I've always known that I wanted to be a part of the march family
Must be a lesbian/bi thing to grow up loving Jo/wanting to be Jo/identifying with Jo...because I was totally like that too! It was (and still is) my favourite book...and Jo March is by far my favourite literary character.
As for the movies...I'm actually very partial to the latest version with Winona Ryder. Maybe because it was the first one I saw...or that despite my intense gay-ness I still have a thing for Christian Bale and the character of Laurie. How great is he as Laurie?? I think he encapsulated that character so well.
Added to all this I was always intensely sad that Laurie and Jo didn't end up together.
Anyway...good to see Alcott being cheeky and unambiguous.
~Renée
Fineally!
Honestly?
Alcott said a few times that she wished she was a boy. Though, if one looks at her life they realize that she wanted to do the things men could do. Alcott wanted women to have rights, she wanted to vote, she wanted to keep her own money. She wanted to live her own life. She could never do that if she was married and had a family. She saw what having a family did to her mother. She experienced living in poverity. She wanted no part of it. However as a woman of the Victorian Era she would have to bow down to her husband, but that's not what she wanted. She wanted to write and earn her living.
The fact that Jo is a based off of Alcott doesnt mean Jo or Alcott was gay. I just don't see it. The fact that Jo turned down Laurie(though while it contiunes to depress me) doesn't mean she was gay. The reason behind it was that they always fought and it was unwise to have two hot tempers under one roof. And I do agree that the professor was quite bad, and I hated him. Oringally, Alcott did want Jo to be single, but her publisher said no, so she had to marry Jo off to someone.
ambiguity
Maybe Jo didn't know what she was yet. Maybe she was just playing and hadn't really thought about it.
I say that because it is common for heterosexual girls to want to be boys, to relate to male characters, to find other girls attractive, and to have male friends they don't want to marry. And even to question our sexuality. Women aren't supposed to be complex because it makes people uncomfortable, but it's a fact.
And especially during that time when men had all the power ... it must have been very hard for women to respect other women (thus all the inventive ways there were for making women feel good about their powerlessness.)
It's kinda like the early Nancy Drew. When a female is the central character, and she is strong, creative, resourceful, independent and brave, she is an archetype hero as much as any male character and I personally as a reader like her.
As a kid, I loved the Jo character and didn't find her supposedly masculine traits all that unfamiliar. Sure, she wasn't like my Barbies, but she was still an effective central character that I could relate to.
Another character along those lines today is Helen Mirren's cop in the British TV show Prime Suspect. There is nothing particularly feminine about her except that she likes to have sex with men. (And she's beautiful because she's Helen Mirren). And like the typical hero archetype, Helen Mirren never gets the man.
And, as it seems Jo wasn't supposed to get the man (or woman) either, she is a hero archetype also. Their mission in life is bigger than personal relationships, although they do get tangled up in them because they are human.
I guess my point is that perhaps Jo's sexual ambiguity is more about Alcott's intelligence as a writer. The plot concessions reflect the necessity of the time (as someone already said above.) In spite of them, she wrote an honest story.
In that way, Little Women is reminding me of Jane Austin, her books not the movies ... who was also massively popular (although hated by the Bronte sisters?) She also never married, yet wrote characters similar to herself and conceded to the audience desire to see them marry...
The issue of gender roles and marriage was about power, and a huge problem for women at that time. I think these authors - both Alcott and Austin - were popular because they put characters in these power-oriented situations and had them react like real humans. Which if you think about it, must have been a pretty brave thing to do.