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Jane Austen remains picture perfectJane Austen never goes out of style. The founding mother of chick lit (I say that with love and respect; please don’t throw your dog-eared copies of Pride & Prejudice at me) has become cinema’s go-to wordsmith. Move over, Shakespeare: This is Jane’s world now.
Of course, adapting Austen’s books for the big screen is nothing new. But two upcoming films take it a step further this summer. They are inspired by the very woman herself. Becoming Jane (opening Aug. 10) and The Jane Austen Book Club (opening Sept. 21) both draw inspiration from Austen’s life. And both look, at first glance, pretty intriguing.
Becoming Jane features Anne Hathaway as a 20-year-old Austen at the start of her writing career and a crossroads in her love life. It sounds like, for lack of a better description, classic Austen. And Anne definitely fits the part. Broody writer looks good on her.
The Jane Austen Book Club, based on the bestselling book by the same name, is a modern-day tale of a group of acquaintances who get together to discuss Austen’s work and find their lives paralleling her characters. Oh, and there is a lesbian in the club (Maggie Grace from Lost). Apparently she likes to play doctor with her girlfriend. I don’t think that ever happened in any of Austen’s novels, but I approve. Heartily.
So what is it about Austen’s words and work that make them perfect for the big screen? I think much of it can be attributed to our never-ending fascination with affairs of the heart. Certainly, she also coupled social satire with withering wit. But what really makes Austen so fantastic is her singularly female perspective.
To wit, some of the best big-screen adaptations of her books come from other women giving their singularly female perspective to her work. Two of my favorite Austen films are by female directors, 1995’s teen satire Clueless and 1999’s period piece Mansfield Park.
Director Amy Heckerling made Clueless (based on Emma) a deceptively smart, endlessly fun and just plain frothy delight. I remember begrudgingly being dragged to the film (a teen movie, come on) and leaving with a big goofy grin.
Director Patricia Rozema took a more traditional yet subversive shot at Austen’s work in Mansfield Park. The out auteur behind the exquisite When Night Is Falling and quirky I've Heard the Mermaids Singing captured the novel’s lyrical wit while also giving it some decidedly lesbian undertones. If you didn’t catch the looks between Frances O'Connor’s Fanny Price and Embeth Davidtz’s Mary Crawford, go back and watch it again.
No offense to Sense & Sensibility or (the latest) Pride & Prejudice, but Rozema’s retelling is my favorite classical interpretation. Though, in the name of full disclosure, I must admit that I harbor a small grudge against Miss Austen. Back in high school, I had complete and utter brain freeze during my AP literature test and could not, for the life of me, remember Darcy’s name. So I referred to him throughout the entire exam as “Elizabeth ’s love interest.” It wasn’t one of my finer scholastic moments.
So what’s your favorite Austen movie? Or novel? Or embarrassing moment? Someone top my AP story, please. Submitted by on July 31, 2007 - 1:15pm. |
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AP STORY!!!
AGH!
Great post, and great pic of Hathaway, but I have to say this Becoming Jane movie is really flipping me out (enough so that I never could have written this post with any semblance of calm; just ask my friends who had to sit beside me during the preview). The propensity to explain and even explain away Austen's brilliance by romanticizing her personal life offends me on so many levels. The movie is based on little more than a few offhand remarks in Austen's letters; she certainly gave no evidence that heartbreak was her primary source of inspiration, but so many critics can't seem to handle the idea that she was a genius, period.
/rant
Sorry! Nothing against your post, just had to say it (since I write about Austen as an academic I would've felt disingenuous keeping my trap shut). I actually adore some of the adaptations, especially Rozema's Mansfield Park (which borrowed from Austen's biography in a way I appreciated). The Keira Knightley P&P is low on my list, too—it was gorgeous, but while puffing up the romance they seem to have drained out all the humor.
Another great one is the 1995 BBC Persuasion; the casting is spot on, and Fiona Shaw plays one of my all-time favorite Austen characters.
Part II
I'm about as academic as a
I'm about as academic as a hole in the ground (well, a hole that managed to complete one year of linguistics/comp sci), and I totally agree with you about the ridiculousness of the premise of this movie. So, yeah, Austen briefly mentions a couple of guys at a couple of events she attended, and they make up this bollocks out of whole cloth. Why bother?
I'd agree Hathaway is lovely eyecandy, but if the shorts made me cringe (the love-interest boxing? yes, that was definitely the pursuit of upper middle-class men in that day and age... and Austen made any number of pokes at "sporting men"), I'd rather not ruin the movie for anyone else by bitching all the way through it.
Austen was a genius, and I wish that the idea of a women being just that and yet so bizarrely not interested in a man (or anyone else) was so abhorrent to the media as it still seems.
We talk about the Bechdel rule: a movie containing at least two women, who talk to each other, about something besides a man. We also need an "independent woman" rule, because there's a major paucity of them in movies too.
Keira Knightly P&P
Although I was disappointed by the Keira Knightly Pride and Prejudice, I thought they did a couple of things right. They made Jane sufficiently attractive. (In the BBC version, Elizabeth was so much more attractive, and that bothered me.) And they did interesting things with the father: they illustrated how unable he was to really take care of his family, and they showed an affectionate moment between him and Mrs. Bennet. I found his character to be refreshingly human. But Mr. Darcy was besotted from the first and brooded the entire movie. Ugh.
Although it has nothing to do with Jane Austen, I'm now having AP English flashbacks. My AP English teacher in California was thrilled to have an east coast Jew in the class and insisted that I read a lot of Saul Bellow in preparation for the exam. When it came to answering the open question, it was completely impossible to write about any Bellow novels. (The other student in the class who had also prepared him turned and looked at me in horror at that moment.) So I wrote a crap essay about Death of a Salesman, instead.
Brooding...
Mr. Darcy is suppose to brood! Matthew Macfadyen was the perfect choice for Mr. Darcy; infact, I think his performance trumps Colin Firth's nancy boy interpretation. I love the BBC version but Mr. Darcy never seemed like the character that I imagined. Keira Knightly was sooo wrong as Elizabeth but I won't go down that path.
AP English rescued me from two semesters of freshman comp, etc. I don't remember much about the junior year test but the senior year test completely vexed me. I made the mistake of refusing to read Crime&Punishment. The open question was about choices and how the main character coped with their, well, choices. I should have listened to my English teacher and read that novel! I wrote a sub-par essay on Hardy's Tess because I couldn't remember anything else to write. I tried to remember Austen but nothing was strong enough to suffice. That question kept me from getting a 5!
BTW, that English teacher now helps to choose the questions and still grades the tests. She prepared us well to pass the exam if only we had read all of the material!!
Back to Austen, I've been reading her novels since the age of ten. P&P has always been one of my favorites along with Mansfield Park and Persuasion. Emma has never been a favorite of mine in literary or cinematic form with the exception of Clueless.
Ang Lee's version of S&S was a wonderful period piece with wonderful long shots of things that were once common and now a mere memory.
Sorry about the long post but this is me nerding out with literature and film. I could go on for 20 pages or more. (Thank you comparative literature and your 25 page paper!!)
AP European Test
I almost forgot about this test! I fell asleep during the test. Let me preface this by saying that my frakkin graduation was the night before the test. I slept more than thirty-five minutes and no one attempted to wake me up, not even the proctor.
I passed the test =) I managed to get a 4 despite sleeping through some of it.
Patricia Rozema & Frances O'Connor
bostin' jane austen
i had to do Emma for A level English. the only way i could get through it was to think of Emma Woodward as a proto-dyke - for god's sake, she was so obviously in love with Jane Fairfax. but actually, even that wasn't enough to keep me interested. i only read about half the book. not surprising i only got a D as i never finished A passage to India either. why couldn't we have done To the lighthouse or The good soldier like other schools using the same examination board did?
also, like, i know she's pretty but why have Anne Hathaway playing Jane Austen? weren't there any British actresses?
You're only getting Becoming Jane now?
I don't understand. I saw this in the cinema months and months ago. Did we (UK) get it first? Why? I am awash in a sea of confusion.
I thought Becoming Jane was all right. I've loved Jane Austen's work for a long time so I'm, for lack of a better word, protective of her? and it didn't do anything to upset/disappoint me, but neither did I love it. I do however love Anne Hathaway. Mmm.
For my money the BBC's 1990s P&P is the best adaptation of all time. I start watching it thinking "Elizabeth isn't that pretty, and Darcy's kind of annoying" and by the end of it (6 hours later -- another good point!) I love them both and the way they love each other. Plus it's hilarious in just the right way, and their Elizabeth seems closest to Austen's. I agree with the person above who said their Jane isn't pretty enough, though I've often wondered if the actress they cast would have been considered much more attractive than Jennifer Ehle by the standards of Jane Austen's time? That would be a very BBC thing to do.
i think
it was a British made film, which might be why we got it first. i suspect Anne Hathaway was an american box office draw, like Gwyneth Paltrow in Emma. Keira Knightley obviously had enough clout to pull off P&P.
casting actors who are techinically, and by our standards, too beautiful for the part seems to happen a lot. look at Tara Fitzgerald in The woman in white. Marion is meant to be plain, but you could never call Tara that (having said that, Diana Quick played the part in the 80s and i'm sure by Victorian standards she would've been considered plain, whereas today we would say she was handsome at the very least)
Oh, Jane, if only I could have met you. . . .
So we're swapping AP stories, eh?
I had a similar experience with the same test just this year, only instead of forgetting one name, forgot everyone's name in The Kite Runner. They gave us a list of books that we could write an essay on, but we could also write about a different book (the list was more of a suggestion than anything else). I tend not to read directions all the way, so I didn't know that I could have written an impassioned essay about the wonderful, beautiful The English Patient, so I picked the book off the list that I knew best. I had to make up names for the characters in The Kite Runner, and it was awful. Consequently, I only got a 4 on that test. :/
Oh yes, and on the AP U.S. History exam the previous year, I got so frustrated during an essay that I actually bit myself on the arm and it left a mark for hours. I don't pretend to see any logic in biting myself, so I can't really expect you to, either. xD
persuasion, indeed
great bbc film, and also my favorite book of them all. love how everything is unspoken, but still completely obvious.
and bbc's pride and prejudice starring colin firth and jennifer ehle is a real classic. so great.