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Blondie desperately finds Susan

I guess I should have realized a long time ago that there really, truly are no new ideas. None. Zero. If nothing else, the impending arrival of Hairspray on the big screen, again, should have been my final hint. (To recap: It was a John Waters cult independent movie, became a big Broadway hit musical and finally turned into a major studio release complete with Disney-ready cast.) But, now, I may have finally gotten the picture as the new Desperately Seeking Susan musical unveiled its cast and new production details yesterday.

As Karman already reported, the project was announced back in December. The musical will preview Oct. 12 and open Nov. 15 at London’s Novello Theatre with hopes of moving on to Broadway. Emma Williams [pictured above, right] will play streetwise Susan (originally played by Madonna) and Kelly Price [left] will be bored New Jersey housewife Roberta (played by Rosanna Arquette some 20 years before she Cherie Jaffe-ed her way into Shane’s bed and heart).

As if defiantly trying to disprove my “No New Ideas” theory, the producers have given the production a twist. The adaptation of Madonna’s debut film will feature classic hits by Blondie and a new song from Debbie Harry. I suppose they switched singers because the Material Girl wouldn’t “Get Into the Groove” with producers (I mean, they had to have asked, right?). But it’s still perplexing that the 1985 movie so associated with Madge — heck, it cemented her iconic look and super stardom — will instead feature such Blondie smashes as “Heart Of Glass,” “One Way Or Another,” “The Tide Is High” and “Atomic.” I mean, that’s like going to the new Broadway production of Xanadu and instead of hearing Olivia-Newton John’s “Dancin’” and “Magic,” getting Linda Ronstadt’s “It’s So Easy” and “Poor Poor Pitiful Me.” It’s just, well, wrong.

The musical will still be set in the hot pink– and black lace–loving '80s. Producer Susan Gallin told the Washington Post that the stage show’s plot should closely follow the film’s madcap tale of romance, amnesia and switched identities:

"The story is universal. It's a quirky, offbeat movie about women who change their lives and end up with the lives that they were meant to have."

Sure, that’s all fine and good. But I’m pretty sure the lives they were really meant to have included some music by Madonna. Shouldn't everyone's?

newbie's picture

where is the imagination? huh?

You ever go into a port-a-john and after you dump, you search for a minute or two for the handle to flush?  And then you realize where you are. Then you leave with a loud slam of the plastic door, feeling silly and slightly nauseous, but relieved anyway?

 

My idea of the thought process of whomever it is that remakes a bad movie into another bad movie or play. 

 

(Madonna’s probably smart, but I am secretly hopeful, for Debbie Harry’s sake.)

cosmiccowgirl's picture

port-a-john

I don't have much to say about this topic, but I had to reply to compliment you, newbie, on your descriptive powers.
BrownEyedGirl's picture

Desperately Seeking (a) Synopsis...

Here i am showing my ignorance....well actually just my age, seeing as - and dont hate me now - D.S.S. was a bit before my time :P  But what is Desperately Seeking Susan actually about?

~I've been watching your world from afar, I've been trying to be where you are, I've been secretly falling apart...~

dorothy snarker's picture

desperately seeking a sensible plot...

Mostly, it was about Madonna’s cunning use of black lace and ripped t-shirts. Ostensibly, it’s a comedy about mistaken identity. Roberta (a bored suburban New Jersey housewife played by Rosanna) follows the personal ads about a mysterious woman named “Susan.” When an ad proposes a meeting she goes to check her out in person. She spots Susan (Madonna, all glitter punk chic) and buys the leather jacket she has sold at a pawn shop. Roberta then gets knocked out, suffers amnesia, gets mistaken for Susan, is chased by the mob (because of stolen Egyptian earring in the jacket’s pocket) and falls in love with Aidan Quinn. It’s a ridiculously complicated plot when all most people can remember about the movie is, “Uh, wasn’t Madonna in that?” and “Hey, I like that ‘Into the Groove’ song.”



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Why I Don't Sleep Much: Dorothy Surrenders

Na's picture

Haaa, an excuse for a youtube

Here the trailer in full 80's glory: http://www.youtube.com/watch?v=ap3vV2TwxAg

It can hardly get more 1985 than that.

badinage's picture

How is it that...

...Western civilization can come up with several centuries' worth of original music and a millennium of original "literature," but only about three decades' worth of original films and stage productions?
zarathustra's picture

:(

jesus christ on a cracker – Dorothy, this blog makes me wanna cry.  Badinage, you ain’t kidding. 

 

I’m anxiously awaiting remakes of Grease and Annie – both film and B'way versions.  Then they can follow up with re-remakes of My Fair Lady and The King and I.  Starring Tom Cruise and Lindsey Lohan in BOTH movies.

 

By then, we’ll have a movie version of “Survivor.”  And next year’s reality tv shows will follow last year’s reality tv “stars” as they....comb their hair, brush their teeth, and take out the garbage.

 

 

How ironic that Deborah Harry, as the fab Velma von Tussle from the original Hairspray, is now in this cheap, tacky ripoff.  Debbie – “mucho mistrust, love’s gone behind.”

 

(sob!)

zarathustra's picture

:( :(

“Paramount is plotting a musical remake of the 1984 film "Footloose" and will develop it for "High School Musical" star Zac Efron and director Kenny Ortega.

Efron makes his feature debut in "Hairspray," which New Line releases Friday.”

http://www.variety.com/article/VR1117968308.html?categoryid=13&cs=1

jln62390's picture

:(

another remake boo. i don't think it's possible for hollywood to make an original film these days

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