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British artists, American music videosYoung Welsh soul singer Duffy has already made a serious splash in the U.K., with her second single "Mercy" going to No. 1 in February on downloads alone. Her management must be hoping that when her album Rockferry is released in the U.S. on May 13, she can repeat the huge crossover success of Amy Winehouse in moving from Britain to America. Looks-wise, I'd say Americans are in for a treat, as the '60s-inspired Duffy resembles a cross between Dusty Springfield and Julie Christie (with maybe a little bit of Kristin Chenoweth thrown in for good measure):
When Duffy's "Mercy" appears on U.S. television, however, American viewers will be getting a slightly different first look at her than British viewers have had. For purposes of comparison, here is the original British version of the video:
But the Duffy of the American video is a more sexualized creature: She's better-lit, she's wearing a strapless dress, and there are close-ups on her lips and on her red high heels. The people surrounding her are partygoers rather than professional dancers, and — perhaps in response to them — she's more expressive and uninhibited in the American video. The dancers also don't eventually burst into flame like they do in the British video (was it thought that this would seem shocking or weird to an American audience?)
Duffy isn't the first British artist to get a makeover for the American market. When Natasha Bedingfield's single "These Words" was released in the U.K., it showed her on vacation in Spain, dressed in bright colors, fidgeting and punching the air around her in anger and frustration at her inability to come up with a hit song:
The R&B girl group Mis-Teeq could be described as the British version of Destiny's Child.
When they released their single "One Night Stand" in the U.K. in 2001, the video was neon-bright, ghetto fabulous and full of backing dancers:
I'm curious, though, what both American and British viewers think of these video pairs? Personally, apart from the Duffy video, I tend to prefer the British versions … but then I do live in the U.K. Do you think it's necessary for the record companies to create entirely new videos for an American market? What is it about the British videos that don't translate? And why is it that some British artists — Amy Winehouse, Lily Allen, Joss Stone — seem to make it across the pond without their videos being changed? What is it about those artists that fits better with American sensibilities? Submitted by on April 9, 2008 - 2:13pm. |
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Both ways
Leona Lewis also had her Bleeding Love video changed for US release, but continuing the Idol theme, Kelly Clarkson also hada couple of different videos for european release.
On the surface i admit, it seems like a waste of time and money, but thats just it. Record labels wouldn't do that. The different videos must be a successful method otherwise they wouldn't bother.
UK and US audiences are very different. We have a different sense of humour and certain things are more acceptable in each country. UK artists especially have to be marketed in a special way for a US audience. Its way easier for a US star to make in the UK then the other way round.
Thats what I was gonna say
Thats what I was gonna say Leona Lewis, Bleeding Love
http://youtube.com/watch?v=5-ctIC65PV0 - US Version
http://youtube.com/watch?v=sF84pIhP5UM - UK Version
I understand that they
I understand that they have different marketing strategies for each country, but it still doesn’t make it right.
They treat the American audience as if they wouldn’t appreciate a young attractive artist who wasn’t all about sex. That’s why I really liked the UK video, it has a fun vibe to it, and the slower tempo suites the song better.
Very interesting analyses
It seems compelling - from the analyses you have made, as well as the examples you have given - to think that that talented (or at least differentiated) artists can cross borders without worrying too much about re-inventing their marketing image.
On the other hand, apart from Duffy, Natasha Beddingfield and Mis-Teeq are both average, generic acts whose music cannot penetrate the U.S. commercial market unless it is glossed up to at least fit the prevailing video trend on major cable channels.
In other words, I look at this from a commercial point of view more than a cultural one. Surely cultural elements are considered and incorporated into these music videos, but their ultimate aim is maximised sales rather than visual communication.
Finally, many thanks for introducing Duffy. Her album sounds incredible.
***
"All my possessions for a moment in time"
[Elizabeth I]
US/UK
Interesting article! In a way, like much of Brit VS US TV, sometimes the UK versions seem more gritty and the US versions seem more plastic. I prefer the US version of the Duffy video though, agree it seems more expensive. The other two, hmmm...no real leaning either way.
Interesting point you made CitizenErased about it being easier for US stars to make it in the UK rather than the other way around. Why is that? Is it because the UK is more accepting of other cultures? Same for music and TV, e.g why does brit humour like The Office need to be translated to US market, yet US humour like Seinfeld works in the UK?
Gaps
Heya, well i think it's due to the fact that our country is made up of so many cultures, it does make us more accepting. But to be honest, the main reason is that the US has more to offer in terms of sheer quantity.
There is a distinct lack of good british artists. I don't know the reason for this, could be the size of our country, could be it's just harder to be discovered over here, could be we're just less talented! Whatever the reason, there is always a gap in the market that US artists are more then happy to fill.
As a comedy geek, I can't
As a comedy geek, I can't refrain from pointing out that humour if anything is very, very... uh... focused on its cultural context. I think a lot of US humour is easy to 'get' because US culture is so ever-present in Europe. And, and I hate to be so prissy about it, but I frankly don't find British sitcom humour (very strange format) all that funny, because a lot of it, at least at the moment, is dead-focused on sex. It just gets boring after a while. Say, I'm a big fan of The Office (US version), but didn't think season 1 was all that good in either country, and the only time I laughed out loud watching Extras was when Andy kicked the midget and the midget flew back. (So either visual gags are harder to predict or I'm... something. And I'm sorry for the use of that inappropriate lexeme, I can't think of the politically correct term, nor can I remember the actor's name - Wayne? Warren?) I'm also not a fan of a skit-ty feel and theatrical acting. And if I'm going to make a list of comedy that-just-doesn't-do-it-for-mes, I'll sit here forever and reveal a little too much bitterness about the reasons I had for switching from comedy to drama in my spec writing.
I prefer British sketches for some reason to American ones - a lot of the SNL jokes, so achingly written by such a huge group of select writers, just feel stupid to me. They seem to go over the top somehow - say the I-rack sketch, it just got sweaty quick. Whereas, for a classic example, Smack the Pony was pretty funny and smart.
And can I just say -
And can I just say - Seinfeld was never funny.
apparently UK Rapper Slick
musicvids
In Duffy's case i definitely prefer the UK version, and i have to agree with tootles that i think the changes are made purely from a commercial, marketing pov. the us vids are slicker and easier on the eye for a mainstream and larger audience. the "us-managers" are willing to sacrifice more in order to cater to more people. it also reflects in the movie-business, with ratings and stuff. Everything to get a pg-rating. too bad because i think the less polished stuff often looks true-er. instinct says more than market-research.
Don't dream it, be it.
Duffy + US = Bye Bye Northern Soul
Its sad to see the Northern soul dancing and vibe cut from the US video. I know that Northern soul came from obscure underground American artists who did not have success on home soil, due to the lack of support/market and promotion. Despite that northern soul was massive in 70's Britain and was adopted creating a cultural and social movement that still lives on today. Its just ironic that it was cut from the US video
Also i agree about the more sexualised content in the US version, not sure how that should be taken, are the British too uptight to get sexy? or are the Americans too easy? hmm
I prefer the lighting and the 'swishy' feel though in the US video and everything else about the UK version
Ohh the politics of music and image, its never just about the music :(
I liked the Northern soul vibe too.
More Northern Soul
Crap theory warning!
Actually watching the Duffy videos again maybe there is an underlying similarity between the two videos as both are set in the type of clubs where Dusty Springfield might have been played in the sixties.
So in the UK you have some great barn of a Northern soul club with lots of white boys doing gymnastics whereas in the US version you have a more racially mixed and intimate kind of dance-club maybe with a bit of a Greenwich Village sort of feel. Of course maybe I am overthinking this :-)
UK/US Vids...
Personally I think that most people in the UK love a song for the song, not for the video. I think that's why video's are remade for the US audience because sex sells.. and I guess by sexing them up the US music industry feels that songs will sell better overseas.
I liked all the songs above and two of them I didn't even see the video, I heard it on the radio so that's gotta say something lol
Wales Yay!
I hope Duffy can do something in the states as it would be awesome for her to be recognised outside of the UK. I have the album and it's growing on me really quickly. I'm a little biased though as she's Welsh so I'm just happy she's flying the flag for Wales!
Hmm.
I think that US has a larger
I think that US has a larger market since it is a bit bigger then UK :) so it is a bit more difficult to be noticed on the scene. BUT, being European I do think that everything has to be more sexual, more brutal, more plastic and much less honest to be noticed in US.
Let's not forget that while US products like to be exported they're not much for importing. Again it can be argued that US is so big that they have enough of their own. But I grew up listening to bands from UK, Germany, Finland, Sweden, Italy, Spain...
But the most important question is why do you translate Harry Potter books from british english to american english? Seems like such a waste of authenticity. Why would you sacrifice that feel you get when you read it like it's meant to be read?
I think that Americans are basically lazy in a way that they like to see things in familiar way and are not very open to different views. But I don't see how that could be avoided since, once again, I make a point of how big and homogenized US really is.
Still, European versions still work better for me...
Awww that reminds of this,
Awww that reminds of this, lol:
http://www.youtube.com/watch?v=IAbbXbZKph0
Yeah, I'm a hater, but she's soul like Joss Stone is soul, lol. She kind of looks like a blonde Jemima Rooper in the video. Jemima sings better though.
The version we get...
The versions we get of uk artists in New Zealand are more often than not the uk version. i guess us being an old brit colony has its good points because the usa remakes of some of the stuff i see is horrible! the office usa isn´t liked over here much, and we never got the americanised versions of harry potter!
we do get a huge mix of uk and usa artists though, and in my opinion the usa stuff we get sent over is glamourous and over the top. raw brittish is what i like!! (but give me house, heroes and scrubs any day hahaha)
duffy's american version
Saw Duffy Live
I'm from the US, but I love
I'm from the US, but I love Brit humor, TV and ppl think I'm fraking crazy. I like the UK version, more raw, less sexy. I'll make up my own mind about what and who is sexy, they don't have to force feed it to me.
WiS
www.myfandoms.com - visit us :)
Interesting topic and ditto article
But Duffy is just absolutely fantastic anyhow, she doesn't need a fancy 'pimped' video just to please the Americans. Her music speaks for itself and if a singer fails it is not due to her/his video...Probably the music isn't good enough or doesn't fit the audience. For example Robbie Williams is a bloody big superstar in Europe but relatively unknown in the States, not because his music isn't good enough because it is, but the American audience is not attracted to it. God knows why. US charts are dominated by mediocre rap music, those rappers aren't even in the lower regions of the Europian charts. It is just a matter of generalized taste and preferences.
Despite any video: Duffy is superb, I love her album and her voice is so distinctive but pleasant.
Another theory...
Hmmm...
I liked the British Natasha Bedingfield version, but the American Duffy. I don't really see why they should need to do it, fundamentally the videos are pretty similar, as you said... Just one of those things?
Yank version
Good topic
I agree with someone who said that it seems that the UK (and Europe for that matter, since I'm not from the UK either) doesn't care so much for the videos as for the songs themselves, but in order to break in the US you have to be presented in a more posh and sexy way to the audience in order to be liked.
And I personally don't like the US versions simply because (especially in the case of Natasha Bedingfield) I think that the artists just lose the thing that makes them stand out, or in other words, I think that the UK versions have more personality...
Prefer Brit Vids-but I'm probably bias
I disagree with an earlier comment. There is loads of British musical talent right now and it's a really exciting time to see live British bands-they just don't export well. I definitely agree that European audiences accept other cultures better and as a result I think the UK charts are far more interesting and diverse than the American ones.
I often feel like the powers that be in the states make huge assumptions about what American people like and put artists into pigeon holes-given the chance I'm sure American audiences would actually be more accepting of different styles of music and video than there are currently given credit for.
As for the videos, I prefer the Briish Duffy (the US version seems dumbed down and too fast for the song), british Natasha (she is supposed to look pissed off) and I love both mis-teeq videos. The britsh mis-teeq song was made for a garage audience which doesn't exist in the US so in this case the re-make makes sense.
But that's just me...
Most of the American videos out there are made to sell, so they tend to start looking alike (especially hip-hop, r&b, rap, and pop). It's just how it is; it's all about business.
Personally, it doesn't matter where the video comes from. I like videos that seem to relate to the song. I prefer Duffy's US video because the song just seems more intimate than having five guys in the background dancing ten feet apart. Mis-Teeq's UK video works because the song talks about going to a club not a fashion show. Natasha's UK video is so much better than the US because the frustration is shown about not being able to find the words and being able to right them down (and I have yet to understand the dance stereo having anything to do with finding a way to say 'I love you').
Having two video versions of a song can be cool though, because you can see different styles of directors, and have great discussions like this.
I'll admit...
What I do instead of sleeping
As a Brit...
...I prefer most of the British videos - although I think Leona's US video is better than the UK release.
I will say that although I don't think Duffy's original video is great, at least it's different: it's unique. The US version seems terribly generic - Duffy is suddenly just another one of the dozens of beautiful blondes pouting into a microphone.
I think her voice has enough power to escape the blandness, but the video isn't in any way memorable.
Also, I can understand British comedies being translated for the US market - some of our humour is also... rather unique!