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British artists, American music videos

Young Welsh soul singer Duffy has already made a serious splash in the U.K., with her second single "Mercy" going to No. 1 in February on downloads alone. Her management must be hoping that when her album Rockferry is released in the U.S. on May 13, she can repeat the huge crossover success of Amy Winehouse in moving from Britain to America.

Looks-wise, I'd say Americans are in for a treat, as the '60s-inspired Duffy resembles a cross between Dusty Springfield and Julie Christie (with maybe a little bit of Kristin Chenoweth thrown in for good measure):

When Duffy's "Mercy" appears on U.S. television, however, American viewers will be getting a slightly different first look at her than British viewers have had. For purposes of comparison, here is the original British version of the video:


And here is the re-jigged one for an American audience:


Now, in essence you might say these videos are fairly similar: Both of them feature Duffy in the center singing with a microphone while people dance around her.

But the Duffy of the American video is a more sexualized creature: She's better-lit, she's wearing a strapless dress, and there are close-ups on her lips and on her red high heels. The people surrounding her are partygoers rather than professional dancers, and — perhaps in response to them — she's more expressive and uninhibited in the American video. The dancers also don't eventually burst into flame like they do in the British video (was it thought that this would seem shocking or weird to an American audience?)

Duffy isn't the first British artist to get a makeover for the American market. When Natasha Bedingfield's single "These Words" was released in the U.K., it showed her on vacation in Spain, dressed in bright colors, fidgeting and punching the air around her in anger and frustration at her inability to come up with a hit song:


When the video hit the American market, it was set in Rio de Janeiro, Brazil — the colors were more golden — and although Bedingfield was still singing about anger and frustration, she looked pretty cheerful and calm:

The R&B girl group Mis-Teeq could be described as the British version of Destiny's Child.

When they released their single "One Night Stand" in the U.K. in 2001, the video was neon-bright, ghetto fabulous and full of backing dancers:


But when it was released in the U.S. in 2004, the video was dark, sultry and centered on the three girls parading up and down a catwalk, where band member Alesha Dixon had been made up to look remarkably like Beyoncé:


If I had to generalize, I'd say that the American videos tend to look more expensive and glossy, and also more golden and sweaty than their raw, bright British counterparts. They tend to be more sexed up (which is interesting, given that I think a lot of people view America as more puritanical than Europe).

I'm curious, though, what both American and British viewers think of these video pairs? Personally, apart from the Duffy video, I tend to prefer the British versions … but then I do live in the U.K. Do you think it's necessary for the record companies to create entirely new videos for an American market? What is it about the British videos that don't translate?

And why is it that some British artists — Amy Winehouse, Lily Allen, Joss Stone — seem to make it across the pond without their videos being changed? What is it about those artists that fits better with American sensibilities?

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  • CitizenErased's picture

    Both ways

    Leona Lewis also had her Bleeding Love video changed for US release, but continuing the Idol theme, Kelly Clarkson also hada couple of different videos for european release.

    On the surface i admit, it seems like a waste of time and money, but thats just it. Record labels wouldn't do that. The different videos must be a successful method otherwise they wouldn't bother.

    UK and US audiences are very different. We have a different sense of humour and certain things are more acceptable in each country. UK artists especially have to be marketed in a special way for a US audience. Its way easier for a US star to make in the UK then the other way round. 

    nikkif99uk's picture

    Thats what I was gonna say

    Thats what I was gonna say Leona Lewis, Bleeding Love

    http://youtube.com/watch?v=5-ctIC65PV0 - US Version

    http://youtube.com/watch?v=sF84pIhP5UM - UK Version

    ASM's picture

      I understand that they

     

    I understand that they have different marketing strategies for each country, but it still doesn’t make it right.

    They treat the American audience as if they wouldn’t appreciate a young attractive artist who wasn’t all about sex. That’s why I really liked the UK video, it has a fun vibe to it, and the slower tempo suites the song better.

     

     

    tootles's picture

    Very interesting analyses

    It seems compelling - from the analyses you have made, as well as the examples you have given - to think that that talented (or at least differentiated) artists can cross borders without worrying too much about re-inventing their marketing image.

    On the other hand, apart from Duffy, Natasha Beddingfield and Mis-Teeq are both average, generic acts whose music cannot penetrate the U.S. commercial market unless it is glossed up to at least fit the prevailing video trend on major cable channels.

    In other words, I look at this from a commercial point of view more than a cultural one. Surely cultural elements are considered and incorporated into these music videos, but their ultimate aim is maximised sales rather than visual communication.

    Finally, many thanks for introducing Duffy. Her album sounds incredible.

    ***

    "All my possessions for a moment in time"
    [Elizabeth I]

    Better's picture

    US/UK

    Interesting article! In a way, like much of Brit VS US TV, sometimes the UK versions seem more gritty and the US versions seem more plastic. I prefer the US version of the Duffy video though, agree it seems more expensive. The other two, hmmm...no real leaning either way.

    Interesting point you made CitizenErased about it being easier for US stars to make it in the UK rather than the other way around. Why is that? Is it because the UK is more accepting of other cultures? Same for music and TV,  e.g why does brit humour like The Office need to be translated to US market, yet US humour like Seinfeld works in the UK?

    CitizenErased's picture

    Gaps

    Heya, well i think it's due to the fact that our country is made up of so many cultures, it does make us more accepting. But to be honest, the main reason is that the US has more to offer in terms of sheer quantity.

    There is a distinct lack of good british artists. I don't know the reason for this, could be the size of our country, could be it's just harder to be discovered over here, could be we're just less talented! Whatever the reason, there is always a gap in the market that US artists are more then happy to fill.

    hippogirl's picture

    As a comedy geek, I can't

    As a comedy geek, I can't refrain from pointing out that humour if anything is very, very... uh... focused on its cultural context. I think a lot of US humour is easy to 'get' because US culture is so ever-present in Europe. And, and I hate to be so prissy about it, but I frankly don't find British sitcom humour (very strange format) all that funny, because a lot of it, at least at the moment, is dead-focused on sex. It just gets boring after a while. Say, I'm a big fan of The Office (US version), but didn't think season 1 was all that good in either country, and the only time I laughed out loud watching Extras was when Andy kicked the midget and the midget flew back. (So either visual gags are harder to predict or I'm... something. And I'm sorry for the use of that inappropriate lexeme, I can't think of the politically correct term, nor can I remember the actor's name - Wayne? Warren?) I'm also not a fan of a skit-ty feel and theatrical acting. And if I'm going to make a list of comedy that-just-doesn't-do-it-for-mes, I'll sit here forever and reveal a little too much bitterness about the reasons I had for switching from comedy to drama in my spec writing.

     

    I prefer British sketches for some reason to American ones - a lot of the SNL jokes, so achingly written by such a huge group of select writers, just feel stupid to me. They seem to go over the top somehow - say the I-rack sketch, it just got sweaty quick. Whereas, for a classic example, Smack the Pony was pretty funny and smart.

    hippogirl's picture

    And can I just say -

    And can I just say - Seinfeld was never funny.

    nikkif99uk's picture

    apparently UK Rapper Slick

    apparently UK Rapper Slick Rick had a UK and US video for his song Children's Story
    Jadedgrrl's picture

    musicvids

    In Duffy's case i definitely prefer the UK version, and i have to agree with tootles that i think the changes are made purely from a commercial, marketing pov. the us vids are slicker and easier on the eye for a mainstream and larger audience. the "us-managers" are willing to sacrifice more in order to cater to more people. it also reflects in the movie-business, with ratings and stuff. Everything to get a pg-rating. too bad because i think the less polished stuff often looks true-er. instinct says more than market-research.

    Don't dream it, be it.

    lotus-and-the-lily's picture

    Duffy + US = Bye Bye Northern Soul

    Its sad to see the Northern soul dancing and vibe cut from the US video. I know that Northern soul came from obscure underground American artists who did not have success on home soil, due to the lack of support/market and promotion. Despite that northern soul was massive in 70's Britain and was adopted creating a cultural and social movement that still lives on today. Its just ironic that it was cut from the US video

    Also i agree about the more sexualised content in the US version, not sure how that should be taken, are the British too uptight to get sexy? or are the Americans too easy? hmm

    I prefer the lighting and the 'swishy' feel though in the US video and everything else about the UK version

    Ohh the politics of music and image, its never just about the music :(

    halfofone's picture

    I liked the Northern soul vibe too.

    It was very Wigan Casino which maybe doesn't translate to the US.
    mfk46's picture

    More Northern Soul

    I'm an American who has come to really appreciate Northern Soul, and that's what I liked about the UK Duffy video. I also think the UK version better captures the song (which I love). The US version, you're so right, ups the sexualization of Duffy. Which I enjoy on the one hand and feel disappointed about on the other. Her stance in the UK version reminds me of Sandie Shaw--a sort of quieter, seething sexuality instead of the overt kind that proliferates today.
    halfofone's picture

    Crap theory warning!

    Actually watching the Duffy videos again maybe there is an underlying similarity between the two videos as both are set in the type of clubs where Dusty Springfield might have been played in the sixties.

    So in the UK you have some great barn of a Northern soul club with lots of white boys doing gymnastics whereas in the US version you have a more racially mixed and intimate kind of dance-club maybe with a bit of a Greenwich Village sort of feel. Of course maybe I am overthinking this :-)

    Miss Lucifer's picture

    UK/US Vids...

    Personally I think that most people in the UK love a song for the song, not for the video. I think that's why video's are remade for the US audience because sex sells.. and I guess by sexing them up the US music industry feels that songs will sell better overseas.

    I liked all the songs above and two of them I didn't even see the video, I heard it on the radio so that's gotta say something lol

    the_pressure_of_a_name's picture

    Wales Yay!

    I hope Duffy can do something in the states as it would be awesome for her to be recognised outside of the UK.  I have the album and it's growing on me really quickly.  I'm a little biased though as she's Welsh so I'm just happy she's flying the flag for Wales!

    fallonash's picture

    Hmm.

    I think your generalizations are quite correct, the US and Europe (can't go into UK specifically, Swedish that I am) portray sex and sexuality very differently, and it goes much further than music videos. The US seems to gloss up and sex up everything they can, clothes, outfits, camera angles, colours, but stops short of actually incorporating actual nudity and sexuality lest there be outcries from the conservatives. Europe doesn't so much seem to care about having the sexed up stuff, but wouldn't think twice about explicit discussions of sex and sexuality and stuff like full frontal nudity in the middle of the day. (There've been numerous commercials in Sweden featuring nude people in a very non-sexual way.)
    Keira1984's picture

    I think that US has a larger

    I think that US has a larger market since it is a bit bigger then UK :) so it is a bit more difficult to be noticed on the scene. BUT, being European I do think that everything has to be more sexual, more brutal, more plastic and much less honest to be noticed in US.

    Let's not forget that while US products like to be exported they're not much for importing. Again it can be argued that US is so big that they have enough of their own. But I grew up listening to bands from UK, Germany, Finland, Sweden, Italy, Spain...

    But the most important question is why do you translate Harry Potter books from british english to american english? Seems like such a waste of authenticity. Why would you sacrifice that feel you get when you read it like it's meant to be read?

    I think that Americans are basically lazy in a way that they like to see things in familiar way and are not very open to different views. But I don't see how that could be avoided since, once again, I make a point of how big and homogenized US really is.

    Still, European versions still work better for me... 

     

    hotinthasheets's picture

    Awww that reminds of this,

    Awww that reminds of this, lol:

    http://www.youtube.com/watch?v=IAbbXbZKph0

    Yeah, I'm a hater, but she's soul like Joss Stone is soul, lol.  She kind of looks like a blonde Jemima Rooper in the video.  Jemima sings better though.

    kiwiconundrum's picture

    The version we get...

    The versions we get of uk artists in New Zealand are more often than not the uk version. i guess us being an old brit colony has its good points because the usa remakes of some of the stuff i see is horrible! the office usa isn´t liked over here much, and we never got the americanised versions of harry potter!

    we do get a huge mix of uk and usa artists though, and in my opinion the usa stuff we get sent over is glamourous and over the top. raw brittish is what i like!! (but give me house, heroes and scrubs any day hahaha)

    jo_'s picture

    duffy's american version

    duffy's american version video is pretty reminiscent of the velvet underground and Nico performing in Warhol's factory.
    greengem25's picture

    Saw Duffy Live

    Just gotta say I saw Duffy live last month, at what I'm pretty sure was her first U.S show ever, and she was amazing. Everyone should be buying this woman's album when it comes out. It's by far the best new album I've heard in a long time. And as great as she sounds on it, she sounds even better live. Definitely check it out.
    WalkingInShadows's picture

    I'm from the US, but I love

    I'm from the US, but I love Brit humor, TV and ppl think I'm fraking crazy. I like the UK version, more raw, less sexy. I'll make up my own mind about what and who is sexy, they don't have to force feed it to me.

     

    WiS

     

    www.myfandoms.com - visit us :)

    Lauwer's picture

    Interesting topic and ditto article

    But Duffy is just absolutely fantastic anyhow, she doesn't need a fancy 'pimped' video just to please the Americans. Her music speaks for itself and if a singer fails it is not due to her/his video...Probably the music isn't good enough or doesn't fit the audience. For example Robbie Williams is a bloody big superstar in Europe but relatively unknown in the States, not because his music isn't good enough because it is, but the American audience is not attracted to it. God knows why. US charts are dominated by mediocre rap music, those rappers aren't even in the lower regions of the Europian charts. It is just a matter of generalized taste and preferences.

    Despite any video: Duffy is superb, I love her album and her voice is so distinctive but pleasant.

     

    Mazikeen's picture

    Another theory...

    My thought on this topic is a bit sadder, I fear. I've a feeling that, at least in the case of the Duffy video, it was mostly based on surface beauty. Not Duffy's, it goes without saying that she is gorgeous as well as immensley talented. But take another look at the UK video, specifically at the dancers. Here in the UK, we tend to put everyday looking people in our adverts, "soap operas", etc. Not so much in the US. In the UK version, the dancers look like people you'd meet in any UK (or even US) town, average people, receding hairlines and all. However, in the US version the dancing crowd are all beautiful in that "model-esque" way that is so prevalent in the US advertising, film/tv, etc. industries. In fact the only "everday" looking people are Duffy's band.
    x.Lorna.x's picture

    Hmmm...

    I liked the British Natasha Bedingfield version, but the American Duffy. I don't really see why they should need to do it, fundamentally the videos are pretty similar, as you said... Just one of those things?

     

    jennifer from pittsburgh's picture

    Yank version

    I preferred the second, I guess American, Duffy video. It was shot more intimately. Given her singing style and the song itself, it should be shot tighter, which the second version is. Also, I though the dancers in the first video added nothing to the statement, if they were making a statement, and were more of a distraction. They should've been shot tighter too. The only close up we got with them was at the beginning with someone's shoes...shoes! I'm not saying that we need crotch shots, and it's always refreshing to see no grabbing of the crotch in a shot, but I think that the torchy-ness of this song warrants a bit more intimacy than what was showcased in the original video.
    vicky h's picture

    Good topic

    I agree with someone who said that it seems that the UK (and Europe for that matter, since I'm not from the UK either) doesn't care so much for the videos as for the songs themselves, but in order to break in the US you have to be presented in a more posh and sexy way to the audience in order to be liked.

    And I personally don't like the US versions simply because (especially in the case of Natasha Bedingfield) I think that the artists just lose the thing that makes them stand out, or in other words, I think that the UK versions have more personality...

    hugsjugs's picture

    Prefer Brit Vids-but I'm probably bias

    I disagree with an earlier comment. There is loads of British musical talent right now and it's a really exciting time to see live British bands-they just don't export well. I definitely agree that European audiences accept other cultures better and as a result I think the UK charts are far more interesting and diverse than the American ones.

    I often feel like the powers that be in the states make huge assumptions about what American people like and put artists into pigeon holes-given the chance I'm sure American audiences would actually be more accepting of different styles of music and video than there are currently given credit for.

    As for the videos, I prefer the Briish Duffy (the US version seems dumbed down and too fast for the song), british Natasha (she is supposed to look pissed off) and I love both mis-teeq videos. The britsh mis-teeq song was made for a garage audience which doesn't exist in the US so in this case the re-make makes sense.

    emrien84's picture

    But that's just me...

    Most of the American videos out there are made to sell, so they tend to start looking alike (especially hip-hop, r&b, rap, and pop).  It's just how it is; it's all about business.

    Personally, it doesn't matter where the video comes from.  I like videos that seem to relate to the song.  I prefer Duffy's US video because the song just seems more intimate than having five guys in the background dancing ten feet apart.   Mis-Teeq's UK video works because the song talks about going to a club not a fashion show.  Natasha's UK video is so much better than the US because the frustration is shown about not being able to find the words and being able to right them down (and I have yet to understand the dance stereo having anything to do with finding a way to say 'I love you').  

    Having two video versions of a song can be cool though, because you can see different styles of directors, and have great discussions like this. 

    pocketprotektor's picture

    I'll admit...

    I'm a sucker for sexy. Even plastic, corporate sexy (when it's done right). And I think the American versions of those videos were definitely sexier than their Brit counterparts. But when has sexy ever been a bad thing? Pussycat Dolls, anyone?

    What I do instead of sleeping
    RizzoC's picture

    As a Brit...

    ...I prefer most of the British videos - although I think Leona's US video is better than the UK release.

    I will say that although I don't think Duffy's original video is great, at least it's different: it's unique. The US version seems terribly generic - Duffy is suddenly just another one of the dozens of beautiful blondes pouting into a microphone.

    I think her voice has enough power to escape the blandness, but the video isn't in any way memorable.

     

    Also, I can understand British comedies being translated for the US market - some of our humour is also... rather unique!


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