"Dollhouse" 1.8 mini-cap: "Needs"Sorry for the late mini-cap, kids. Anyone who's ever been Dinah'd knows the recovery is a bitch. But we're back and given the theme of this episode — some memories are to be buried at all costs, even if it means giving up your life and answering to a NATO phonetic alphabet name — maybe I need a "treatment." Just call me Whiskey.
Anywho. Ballard has a dream in which Echo gives him a nocturnal admission: She's escaped from the Dollhouse with a message. She also seems to want him in the worst way. But before she can show him a good time, she's white as a sheet and unresponsive on the couch. Mellie appears out of nowhere, bleeding from the head, and gets crazy jealous. It's just like the Dinah.
Back at the Dollhouse, Adele holds a staff meeting to discuss this month's objectives: Echo has gone "off mission," Victor is having a little too much fun in the showers, and Sierra is starting to remember things she shouldn't. Handlers need to be on the lookout for aberrant behavior and report as needed. The building's security system is being upgrading and please be aware there maybe be intermittent power interruptions. Also, if everyone doesn’t stop fighting over the office thermostat, she's going to put a lock on it.
Topher wanders in late, as Adele's sidekick, Dominic, reminds the handlers to think of their Actives as pets in need of discipline. To quell the rumblings of what could be an uprising, Topher, the Doll Whisperer, offers to pump more sedatives into the sleep chambers and to "advance the proteins corrosion of the long-term potentiation." Sensitive Dr. Scissorhands doesn't like the sound of that, mostly because it was pure gibberish, but Adele reminds her who signs her checks, so she shuts her keloid yap. Back in the sleep pods, Echo awakens prematurely and finds she's her old self again. Unfortunately, her old self doesn't remember climbing into a coffin for a nap. Panicked, she claws her way out with her bare hands, cutting herself in the process.
Soon, the others in her sleep circle also wake up, also in possession of their real personalities. Mellie, whose Active name is November, turns out to be a woman who likes someone to take care of her, and needs to gloss over anything uncomfortable. You know the type. "Maybe something bad happened to us and they're helping us heal?" Mellie offers hopefully as Sierra makes it clear she's happy to leave everyone behind and escape on her own. Sierra also has a brand new, old accent. Maybe I never noticed it when she talked like a robot. Echo nee Caroline, is alert now and asking smart questions, while Victor reverts to his former soldier self. A guy named Mike wakes up to the belief they've been abducted by aliens and suggests they shield their reproductive organs from probes. Good idea. And later, they'll make hats out of tin foil. Everyone decides to blend in until they figure out their next move, so they join the other Actives for, what else? Banana pancakes. An attendant notices Echo's hand is cut and sends her to see Dr. Scissorhands.
In the office, the doc mutters to Caroline that she's on her side and reminds her they're being watched. Mike gets caught talking about aliens again, and gets sent for a "treatment" while the others partake in a group shower. Mellie likes co-ed showers more than the others, because she's also that girl. Meanwhile, it becomes apparent that Dominic and Adele know full well the fantastic four are planning an escape – it's a set-up and a test. They monitor Caroline, Sierra, Mellie and Victor as they make their way down the back hallways. Slowly, everyone's memories start to return. Sierra remembers being assaulted and kidnapped by a man with a gun named Noland. Mellie thinks she might have a daughter. Trapped, with no memory, hiding in a rack of clothes from personality vampires, Victor and Sierra share a moment, but to my deep disappointment, no one says, "I think I'm kinda gay."
While the others commandeer a big black SUV for their escape, Echo decides to stay behind and liberate the other lab rats. She dukes it out with a lady handler, open the gun locker and grabs a weapon. Meanwhile, Ballard takes a Dollhouse gizmo to his own underground Apple Genius Bar but it's no iPod he's got there. His pal orders some scrambling devices, an RF doohickey and a 4 GB gonkulator.
Out on the road, Mellie/November asks to be let out of the car. Sierra and Victor drop her off, leaving her to wander the nearest schoolyard, looking for kids that look like her. She walks until she finds herself in a cemetery. Uh oh. While Mellie mourns her daughter, Sierra and Victor find Noland, and confront him. He admits he paid good money to send Sierra to the Dollhouse in retribution for turning down his advances. There is nothing worse than a creep with money. Victor smacks Noland around, but not around enough. Why Sierra doesn't have Victor hold Noland while she kicks him in the nuts is beyond me.
Back at the ranch, Caroline exceeds Adele and Dominic's expectations when they see her on the monitors, snooping around the Dollhouse, instead of escaping with the others. Topher is also surprised to see Echo, even more so, standing in his lab and pointing a gun in his face.
Caroline demands answers from Topher and Adele, so they explain she volunteered to forget herself, lose her right to "choose, think and feel," and that her mail's been being forwarded to the Dollhouse for a very long time. Gun in hand, Caroline leads an exodus of Actives from the Dollhouse. Without imprinted personalities, they're docile and mindless and follow her into the sunlight. As soon as Caroline looks up at the sky, she lays down where she stands and falls asleep.
Simultaneously, Mellie snoozes on her daughter's headstone and Victor and Sierra take a nap in their hiding place, while Noland's thugs search the building for them. The experiment is over. Dr. Scissorhands reveals that by letting them have some closure, they'll be better Actives from now on: November grieved, Caroline helped the others escape, Sierra confronted the man who took away her freedom, and Victor just wanted to get the girl. Obviously harboring issues of her own, Dr. Scissorhands tells Echo's handler, Boyd, the world is no place for a person.
Clearly, the dolls are better off in the fetal position, eating banana pancakes, while someone else does their laundry. Boyd cares about the Actives, too, but not to an unhealthy extreme. Dr. Scissorhands: Do you think I had fun? Elsewhere, Ballard finally gets a file drive to work and hears an old recording of Caroline begging him to save her. And I'm having memory flashbacks begging references of more than half a dozen Buffy scenes. Can you name them? Next episode: Echo and Sierra are programmed to root out a spy who's infiltrated the Dollhouse. Ballard gets some shocking news from Mellie. Adele wants to know who stole her tuna sandwich out of the break room fridge. Submitted by on April 8, 2009 - 11:30am. |
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I reeeeeeeeeeeeally hope
No!!!
Don't say that! I mean, yeah, he needs to die, but don't say it's going to get cancelled! Because it would be the second show starring Eliza Dushku FOX cancelled, and also the second show written by Joss Whedon FOX cancelled... and that would reeeeeeeeeeeealy suck, because it's a good show.
Oh, I don't want it to get
scissorhands
I can't get enough of Amy Acker in this show and wish she would come on fulltime. The mysteriousness about her is, IMO, probably the most interesting characters/storylines so far.
This episode was decent enough, but I guess I was expecting more. Also, I now have a big issue with Sienna being "sold" to the dollhouse, tho I expect they'll explain that more in future eps.
"Every time two lesbians kiss, an angel gets its wings." --Roseanne
Ugh
hmmm...
Is it just me...
Or is this show an entire piece about date rape? They fall asleep, someone has sex with them, and they wake up with no memories but some odd marks and perhaps a pregnancy.
I like Whedon, but I find this concept rather creepy.
Amen, Maxima
I'm fine with it, because
I'm just gonna say it
Am I the only one who thinks the acting on this show is crap? I keep wondering if I'm watching a different show from everyone else.
I've seen every episode. I want to like this show and the storylines are ok, not great. I find myself always thinking, "OK this week is the week it's gonna kick ass!" And then... nothing. Big let down.
Is it because we all like Eliza Dushku that we're so quick to forgive her miserable acting in Dollhouse? Sierra is definitely the scene stealer of the show. Topher is like Annie on 90210 - he makes me want to stop watching because he's so effing annoying. I can't stand this kid. Am I the only one?
http://twitter.com/ColetteLala
You're not alone
I try not to notice how wooden and one-note Eliza D is because I like her, but I want to punch the screen every time she says "Did I fall asleep?" Topher's awful too. He's like the Evil Trio from Season 6 except not evil. Nor funny. I really don't think the 'not funny' point can be stressed enough. And the only thing memorable about Sierra to me is the fact that apparently she's Australian, though her altered self is not. Hmmm...
Ok, I'm working myself up and should probably just stop watching the show, but like Colette said, I keep thinking 'This will be the week! It'll be just like 'This Year's Girl'! And no...
Missed the point?
Maybe I missed the point about the wider context of your comment but it seems to me she's *supposed* to be quite "wooden and one-note" when she's in the house and being a doll.
Not to invalidate your opinion because it's a matter of taste butI happen to think it's a great show and I am really enjoying it.
I don't tend to comment on acting because I don't deem myself a good judge but I haven't any complaints.
I think some bits are hilarious and my girlfriend, friend Dan and I (all hardcore Buffy fans) definitely think Joss's humour is present.
And I'd much rather someone like Joss with his track record for strong female charcters and sensitive treatment of subjects did a show about something like this than someone who'd make it totally one dimensional.
It's not thaaat bad....
It's really not... just i don't know, I also keep waiting and sticking it out because i know that eventually this show will take off...I'm not sure when but i know it will. It's Joss Whedon. For the first season of Buffy no one thought it would get better...And now look it's been over for years and we're still talking about it. Besides Episode 7 was actually pretty funny, And this episode was pretty good also.
Caroline/Echo feels the need to be the hero. It's not that she was chosen for it...It's actually WHO she is. After being basically brain washed and having had her mind turned into gooey pudding for god knows how long and her true person STILL comes out. I think that's pretty extraordinary.
Even if it might not make it to a second season... I'm sticking around for this one.
I love this show
and I'm not a big Joss Whedon fan.
I don't know that much about him or his previous work but the idea of having the technology to imprint people with personalities is just amazing. Sure, they are concentrating a bit too much on fulfilling mens sexual desires (how about some women for a change?) with that and there's still a lot of unused potential but the way they are building up the Alpha-myster, Echos fractures of personalities remaining and Adele generally are just genius.
I hope it will be picked up for a second season, if not I will have to start watching the Sarah Connor Chronicles.
This show is fabulous -and- empowering.
People want too much from this show too quickly. I think Dollhouse is fabulous. Yes, it does look at issues of the explotation of women (and men to a degree) but that is never seen as being GOOD. Rather it is forcing us too look at how women are exploited, and we can watch and see the actives rise eventually be able to rise above their circumstances. They are asking questions of responsibility and gender and idenity.
Joss has said he would like to explore gay and lesbian themes more, such as clients of the same-sex requesting actives, but that it wasn't able to make it into this first season-- I know Fox had their hands all over this one, which put a lot of pressure on the studio to have those episodic episodes that came at the begining. Once Joss was able to do his thing, it got better. Given another season, I think we'll start to see some really great things, even more than we have.
I see female empowerment all the time on this show, from Echo saving herself in episode two rather than Boyd saving her, her taking the "phallic" arrow the client had and hurting him with it, to many other examples of women being the ones to overcome or help others overcome. Many of the people running the dollhouse are women, and it is a show that strongly highlights women and many different kinds of women. The institution is questionable, yes, of course! But it's also kind of a metaphor for hollywood itself, and what women's experience in that is, what roles they are asked to play.
I think the show is fascinating and I really really hope it gets a 2nd season!