Lynn Redgrave “Grace”s the New York stage againMy normal theater plans have been turned upside down lately. Usually, I'm all about the musicals. I only see plays when I've heard something amazing about them or when there's an actress I want to see. But these days, I keep adding plays to my list. I mentioned recently that I want to see Top Girls on Broadway this spring. I saw August: Osage County, which is a shoo-in for multiple Tony Award nominations, a couple of weeks ago. And now, I'm going to be making some off-Broadway plans as well. I just learned that Lynn Redgrave is starring in the MCC Theater Company's production of Grace at the Lucille Lortell Theater. (Whenever I walk past that theater, I flash to Friends when Joey was starring in a play at the Lucille Lortell Theater, and he fell in love with Kate, the woman who (for a while) taught him about rejection.)
Grace is the story of a woman who is "a mother, a wife and a brilliant professor.” She's enmeshed in a public debate about the existence of God (she does not believe), when her civil rights attorney son declares he plans to become a priest. I suspect that a bit of conflict ensues. While the story certainly sounds interesting, the story alone would not draw me to the play. It's Lynn Redgrave I want to see. She's one of those great stage actresses who I just want to see sometime. She's from a renowned theater family and has an extensive West End and Broadway résumé. The idea of seeing her on an intimate off-Broadway stage is particularly appealing. The funny thing is that, as much as I want to see her on stage now, I didn't really know her as a stage actress for a long time. I was definitely aware of her originally as a television actress. I knew her from The Love Boat and Fantasy Island. (She could have been Charo for all I knew at the time.) I knew her as star of the show House Calls with Wayne Rogers. And, most of all, I knew her as the Weight Watchers spokesperson.
(And if you're mid-to-late thirtysomething or older, you remember the Weight Watchers commercials, too.) As I got older, I became more aware of her early film career. Her most notable role was Georgy in 1966's Georgy Girl.
This role earned Redgrave her first Best Actress Academy Award nomination. (Her sister, Vanessa, was also nominated that year. But they both lost to Elizabeth Taylor. Alas.) The following year, she was in Smashing Time, a very 60s London movie. Check out this great clip. And she played Xaviera Hollander in The Happy Hooker in 1975. (When I was an adolescent, I read that book for the lesbian bits.) But her most important role, to me, during my adolescence was Mariette Hartley's boss and second of two loves in the TV movie, My Two Loves.
I was 17, watching furtively and vehemently rooting for Mariette Hartley to choose Lynn Redgrave over Barry Newman. (She ultimately chose neither, but did not reject Redgrave because she was a woman.) Nevertheless, both Hartley and Redgrave were kind of fixed in those roles in my mind for many years. In recent years, however, the image of her kissing Mariette Hartley was replaced by the image of her being treated for breast cancer.
She and her daughter wrote a book about her cancer and recovery. And now, she's back on stage. And I get to see her. Grace began previews last night and will run through March 8. More information about the show can be found here. Submitted by on January 24, 2008 - 1:27pm. |
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OMG!
I'm 31 and I well remember Lynn Redgrave as the WW spokesperson!
"Becauase THIS is living!!!"
Classic!
Women Off-Broadway
Ooh. I knew Lynn Redgrave was going to star in Grace this spring, but I hadn't seen anything about the plot. That looks like a really good show, and I might have to add it to my
too longlist of things to see.Other notable women performing in off-Broadway plays in the near future:
Mary-Louise Parker, Dead Man's Cell Phone - begins previews Feb. 8 and opens March 4, Playwrights Horizons
Synopsis: "Gordon is dead, but his cell phone lives on. When Jean (Mary-Louise Parker), an empathetic museum worker, answers his ringing phone beside her in a café, she is soon playing unwitting comforter and confessor to the man's grieving friends and family. Before she knows it, Jean is ensnarled in the underbelly of the dead man's bizarre life. A wildly imaginative new comedy, Dead Man's Cell Phone is the odyssey of a woman forced to confront her assumptions about morality, redemption and the need to connect in a technology-obsessed world." (www.playbill.com)
Joanna Gleason, Something You Did - begins previews March 18 and opens April 1, Primary Stages
Synopsis: "A tale of three lives colliding in rural Ireland. The play unfolds with the story of a homely, tomboyish pump girl at a rundown gas station. When a local racetrack star becomes the focus of her obsession, the affair threatens more than the feelings of his disenchanted wife." (www.broadwayworld.com)
Natasha Lyonne, Two Thousand Years - currently in previews and opens Feb. 7, Theatre Row
Synopsis: "An assimilated Jewish family's quiet life in suburban London gets turned upside down when their son becomes seriously devout." (www.theatermania.com)
(Also, The Beebo Brinker Chronicles reopens Feb. 19 at 37 Arts - this one isn't really about the actresses - just thought it was worth a mention)
I for one am thrilled at the chance to see all of these women in new plays, not to mention in the intimacy of off-Broadway theaters! This is why I love New York. :-)
Also, thanks so much for your blog entries about theatre - I always enjoy reading them.
Wow!
I had heard about a couple of these plays, but not all of them. I'm going to have to add some to my list of must-sees. Thanks for posting all of these details!
Don't forget
Don't forget Lynn's wonderful scene in Kinsey with Liam Neesom. Billed only as "Final Interview Subject" she makes me cry each time I see her.
"You saved my life, sir"
http://www.youtube.com/watch?v=yv3jjDCw1PA
Gods and Monsters & Shine