Unlike
Stephen, Mary is not a “congenital invert”;
she retains attractions to men despite her love for Stephen. Knowing
this, Stephen feels guilty for subjecting Mary to such a tragic
life, and she resolves to separate from Mary in order to force
her to return to the heterosexual world. Because Mary will never
leave her without great betrayal, Stephen lies to her and tells
her that she’s been having an affair.
Despondent, Mary leaves and falls into the willing arms of their
friend Martin Hallam, whom Stephen has arranged to be waiting
nearby.
At
the very end of the book, Stephen kills herself, surrounded by
the ghosts of their friends who have lived a life of torment because
of their sexuality. Stephen pleads with her God, “We have
not denied You, then rise up and defend us. Acknowledge us, oh
God, before the whole world. Give us also the right to our existence!”
The
Well of Loneliness was published in the same year
as Virginia Woolf’s Orlando, a novel about a gender-changing
poet based on Woolf’s lover Vita Sackville-West. Its first
edition even included a photo of Sackville-West dressed as a boy.
But Orlando’s lesbianism was elegantly woven into Woolf’s
fantastical storytelling, whereas The Well was presented
in all of Hall’s straightforward realism. Consequently,
The Well of Loneliness was charged with obscenity, despite
the fact that, as Jeanette Winterson wrote in 1997 in The
Times, “There are no descriptions of sex in it, no
rude words, and the lesbian lovers do not live happily ever after.”
This
obscenity trial remains one of the most infamous in history, and
author Radclyffe Hall was as much on trial as her novel. Hall
claimed that The Well upheld a conventional heterosexual
morality, as the character of Mary, who was not a true invert
like Stephen Gordon, had to follow her heterosexual nature by
ultimately marrying a man.
Hall
believed in the conclusions of the sexologists of her time, including
Richard von Krafft-Ebing and Havelock Ellis, who argued that lesbianism
was not a matter of choice, but was an affliction caused by “congenital
inversion” that was present from birth.
One
of the main characteristics of inversion, according to Ellis,
was a masculine appearance—a belief that continues to be
a stereotype today.
Hall
herself lived openly as a lesbian, dressing in men’s clothing
and sporting a short haircut. Born as Marguerite Antonia Radclyffe-Hall
in 1880 to an American mother, Marie Diehl, and an English father
who left before she was born, Hall preferred to be called John.
At 21, Hall inherited her paternal grandfather’s fortune
and began a lifetime of traveling to the European continent. At
28, she met Mabel Veronica Batten, known as “Ladye,”
who encouraged her to publish her writing and converted her to
Catholicism.
She
and Ladye lived together until Ladye died until 1915. Shortly
before that, Ladye introduced Hall to her cousin, Una, Lady Troubridge,
who was at the time the young wife of the elderly Admiral Ernest
Troubridge. Hall and Una soon became lovers and stayed together
until Hall died of stomach cancer in 1943 in London. Afterward,
Una became the chief steward of Hall’s papers and even wrote
a biography about her (The Life of Radclyffe Hall).
But
despite being part of Paris’s lesbian society and
having a substantial financial cushion in the form of her inheritance,
Hall’s life with Una was not without its troubles. In 1934
she met Evguenia Souline, a 30-year-old Russian émigré,
who became her lover. She, Una, and Evguenia maintained a difficult
triangular relationship until Hall’s death.
At
the time of the publication of The Well of Loneliness,
which Hall intended to be a portrait of an invert, she had already
written several well-received novels. Many critics argue that
Hall’s 1924 novel The Unlit Lamp, which contains
a more muted lesbian storyline, is her best work; her 1926 novel
Adam’s Breed was awarded the prestigious Prix Femina
Vie Heureuse.
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