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Finally,
the bus is here As the three board
the bus, the Crone and the Hobo offer some last gems:
The
Crone: "Life is a strange, fast
trip. I'm just glad we all have seats."
The Hobo: "Don't forget
to scream."
Dude.
That totally makes me think you're going to blow up
the bus or something. I mean, "Don't forget to
scream" could be a tag line for a horror film.
Or for this show, I guess, now that they've written
it right in.
A
post-dinner proclamation Tina's just
been to the loo, or somewhere. Henry pulls her aside
and says "I just want you to know that I do not
feel that way at all. I don't have a problem with
your life or the way you've lived it."
Well,
thanks; it was vague, but at least you're heartfelt
in your vagueness. Tina doesn't seem all that impressed,
but again, that could just be me projecting.
Another
post-dinner discussion Max and Jenny
talk about the fiasco at Pink's. Max doesn't think
Tim is such a bad guy, and wonders if Jenny misses
her life with Tim. Or, well, specifically, "being
with a man."
Jenny:
"I would have killed myself if that were
my life."
Max: "They seem happy
though. I mean, you know, he's got a good job, a
wife, a kid on the way. Doesn't seem so bad to me."
Jenny: "Max, would you
wanna be some oblivious guy that lives in the suburbs
and has a wife and kids, and an SUV, who just lets
all the rotten shit in the world go by, trying not
to let it touch him?"
Max: "I don't think there's
anything wrong with trying to be happy."
You're
both right. And entirely wrong for each other.
Dirge,
verse six I used to watch a cool show;
I can't remember what it was called, but it didn't
have a mission or a motive and didn't make statements
just for the sake of making a statement; it seemed
to know its own mind.
Outside
the hospital Throughout the whole
conversation with Tonya, Alice hasn't revealed that
Dana is inside the hospital and on her deathbed. My
guess is that maybe she just can't really say it,
especially not to someone who's not really listening.
Tonya:
"You know, I was always a little jealous
of you, Alice."
Alice: "Why?"
Tonya: "Because Dana loves
you so much. It was actually kind of hard to deal
with when we were together, knowing that there was
ultimately this other person that was so much more
important than me."
Dammit.
No,
I mean really, dammit, because Dana has just flatlined.
The nurses are panicking and there's a crash cart
and all of that stuff that goes on, but the point
is that nobody's with Dana: not Alice, not Dana's
parents, not the family of friends she loves and needs.
And as she dies, we hear the nurses and the doctor
and the beeps of the machines, but we see what everyone
else is doing: Shane and Carmen are fucking; Tina
is holding Angelica close at the restaurant; Peggy
is holding Helena's hand; Kit and Mange are making
out; Jenny is resting a hand on Max's shoulder.
And
Bette is on the bus, feeling and knowing that something's
wrong somewhere, and closing her eyes against the
loss.
And
Alice is going back into the hospital, at just the
wrong time, just in time for them to tell her that
Dana is gone.
She
crumbles to the floor, and wails, and says no. No.
And
that should have been the end of it
But instead we get a postscript, in the form of a
little pseudo-educational mostly-promotional film
about breast cancer and about how The L Word
has tackled this difficult subject with such grace
and skill. Never mind that Kate Moennig freely admits
that she hates the whole storyline, and Erin Daniels
intends to cry for weeks, and nobody thinks the show
will be the same. Ilene Chaiken says she had no control
over any of it because, you know, these things just
write themselves. Yeah, so do the recaps: I don't
actually think you've cheated your viewers and lost
one of the best characters on the show. I had no idea
I was going to say that; it just fell on me from above,
and who am I to argue with creative vision?
Dirge,
chorus I used to watch a cool show
that made me happy; I can't remember what it was called,
and it's possible that I imagined the whole thing.
But I do miss it. I always will.
NEXT
WEEK ON THE L WORD: The funeral. Also, Max
gets a job, and Bette worries that Angelica is going
to feel out of place with the shiny happy people.
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