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The L Word: recaps: Episode 2.12 "L'Chaim" (page 4)
by Scribe Grrrl

Helena's "date" with Tina and another blonde Tina holds Bette at Melvin's bedside

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Back at Bette's — Franklin wants to know how Bette's going to handle things at the C.A.C while she's taking care of Melvin. At first Bette thinks he's being nice about it all, but then he suggests a temporary leave of absence. Bette wasn't planning on that, of course, and starts to protest, but then Shelly says she needs Bette's help. Shelly teaches Bette how to turn Melvin every few hours. Franklin sees no reason to respect such a moment, so he interrupts and say he has to go. Bette makes him wait, and then asks if she can have the weekend to think about the leave of absence. Franklin, I hope your daughter decides to put her work first when you end up like Melvin.

The Planet — Helena's ordering for herself and some blonde woman — and no, I don't mean Tina. It seems Helena has two blondes tonight. Anyway, Helena tells the server to ask Lara to send out "a selection of small tastes," and in doing so, she asks Dana, "It is Lara, isn't it? Your chef?" — which makes Alice squirm, of course.

I can't believe it's possible for that much smugness and arrogance to be concentrated in one person. I mean Helena, in case you were wondering.

Tina's feeling like a bit of a third wheel as Helena flirts with the other blonde, so she decides to go. Tina finds Helena's fake solicitude rather irritating:

Tina: "Helena, I'm tired. I just wanna go home and be alone."
Helena: "Fine. Enjoy being alone."
Tina: "I will. I want to enjoy it while I can."

Helena can't just leave it at that, of course, so as Tina tries to go, Helena pulls her into a hug and pretends to apologize. But what she really does is continue to irritate the hell out of Tina, and me: she whispers "You won't be alone, but you'll still get lonely." Whatever. If that's going to be Tina's drama in season 3, we're all in trouble. 'Cause that sounds boring.

Tina just gives her a "you're crazy" look and leaves. There's a lot of that going around.

Bette is reading Langston Hughes's "The Negro Speaks of Rivers" to Melvin. That's lovely, and has stuck in my brain since I first read it in my 20th Century Black Literature class. Oh, I'm so old.

She gets up to try to turn Melvin over by herself, but suddenly Tina is there to help, and she's even brought dinner. She says hi to Melvin and says "It's Tina. Ms. Kennard." Melvin says he knows who she is.

Tina: "Kit's at work. She'll be here as soon as she can."
Melvin: "Who?"
Bette: "Katie, Daddy. She said she's gonna be here soon."
Melvin: "How does she know Katie?"

Ugh. And ouch.

Bette gets Melvin a glass of water while Tina takes off that damn shawl and gets Bette some dinner. She also apologizes for being selfish the other night. It's nice how these two are sort of settling back into being around each other, but shouldn't they talk? Like really talk? And could we please see that?

They sit next to Melvin's bed and talk quietly. Bette leans back against Tina.

Bette: "We've never done this before...
Tina: I've never held you?"
Bette: "In front of my father."
Tina: "He's asleep."

But he's not. And what happens next is very hard to watch; Melvin asks Tina to take good care of his girl, which at first seems very nice, but then it becomes clear that he thinks Tina is Bette's mom, Maxine. He talks about how he let Maxine down and how much he needs her to stay. Sigh.

The Planet — Dana and Alice are mumbling about something and looking a bit angsty. Shane shows up and says "Carmen called me: is she really here?"

Alice: "Who?"
Shane: "It's Peaches. Come on."

Um, okay. I'm not enjoying this much. I'm all for the blender thing, but this is just kinda tired. But I do like the way Shane and Carmen are sort of leering at each other in the crowd, like 12-year-olds. They're starting to seem like the only bit of "fun" left in this show, which is saying a lot.

Peaches tries to get Shane to go up on stage, but Shane did that with Betty and is probably still recovering. Carmen looks surprised that Shane didn't jump at the chance to be that girl, while Helena just sort of stands alone in the crowd, probably wondering what the hell she's watching.

Aww. Shane gives Carmen a cute flirty look. Okay, my confusion is complete: I'm even finding Shane cute. This season has given me lapses of the synapses ((c) Lily Tomlin and Jane Wagner).

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