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A Public Service Message from Boston Public
by Sarah Warn, February 2003

Sheila (Angela Goethals) Kimberly Woods and Sheila

I was starting to get worried: we were almost halfway through February Sweeps this year and there was still no sign of the annual lesbian exploitation episode that has come to symbolize this month of ratings-pandering and general television merriment.

Was this year's lack of such an episode a sign of the apocalypse, I wondered? Perhaps a side-effect of global warming? Or another Al Qaeda attempt to disrupt the American way of life?

Fortunately, just when I was about to panic, Fox's Monday night drama Boston Public put my fears to rest with their February 10th, 2003 episode in which an obsessed lesbian/bi teen (played by Angela Goethals) stalks her teacher (played by Michelle Monaghan) and ends up in a psychiatric institution, while her teacher is forced to permanently leave the school for her own safety.

Even better, it was a Valentine's Day-themed episode in which love is in the air for many of the heterosexual characters, who engage in various light-hearted hi jinks while the lesbian teen vandalizes her teacher's apartment and writes "Bitch" on the wall in big letters. It's a nice contrast.

While the cast of Boston Public is fairly racially and ethnically diverse for television, it has been overwhelmingly heterosexual since the show debuted in 1999--in fact, they've never included any lesbian characters until now (and only a few gay male ones). There was a lesbian kiss as part of a student play last year, but no actual lesbian characters.

Which is why I applaud their efforts to finally introduce a lesbian storyline now in their third season, and in such a sensitive manner. It's wonderful that they're reaching out to their lesbian audience this way with a character and storyline I think we can all identify with.

When Sheila "I'm not a lesbian but let me read my really explicit sex dream about my teacher to the whole class" stops by Kimberly Woods' apartment unannounced with flowers one night after school, I was immediately taken back to my own carefree high-school stalker days.

It's especially important that the first time the series introduces a lesbian or bisexual teenager, she is mentally unbalanced and dangerous, since so much of Boston Public's audience is comprised of impressionable teens. We wouldn't want to confuse teenagers by giving them the false idea that lesbian and bisexual teens can actually be healthy and well-adjusted.

With suicide rates so high among gay and lesbian teens, we need to show these kids now the miserable life in store for them if they don't change.

Granted, the WB's teen drama Smallville did feature an excellent storyline about an obsessed lesbian teen psycho-killer in January, as did a January rerun of Lifetime's now-cancelled legal series For the People in which a black lesbian teen killed her lover in a jealous rage.

But really, a few episodes in a two-month period just aren't enough--we need more of these episodes to really get the message across! And now is the perfect time to reinforce the unstable lesbian teen stereotype since those pesky happy teen lesbians on Once and Again are finally off the air and those lesbian teens on Buffy are, well, not so "teen" anymore.

Of course, what else should we expect from a David E. Kelley series, since he is the undisputed King of the Special Lesbian Episode--from the L.A. Law kiss in 1992, to the blacked-out teen kiss on Picket Fences in 1993, to the Ally-Ling kiss on Ally McBeal in 1999, to the thoughtful exploration of the "dyke" slur in 2002's short-lived series Girls Club, his series have single-handedly contributed more to the national dialogue around lesbianism than just about anything in Hollywood since Basic Instinct!

So thanks, Boston Public, for introducing such a one-sided, negative stereotype on your series, and for not caving into those silly demands for a balanced approach. Suicidal lesbian teens everywhere are grateful.

Update: the series tried to redeem itself with a February 25th episode in which a gay boy is beaten and the Vice Principal subsequently forms a gay-straight alliance. Although the overall message is gay-positive, once again the story revolved around a gay male teenager, with only a cursory, two-second inclusion of a lesbian teen in the support group. Memo to the Boston Public writers: gay male teens are not stand-ins for lesbian teens.

 
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