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The Top 10 Reasons Lesbians Love Popular (page 2)
by Sarah Warn, September 2004

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3. The Writing and Directing

This show is written and created by gay men, and it shows (one of the creators, Ryan Murphy, is the same guy who created Nip/Tuck). Even the most casual comments by the show's characters are exquisitely crafted for maximum wit:

A female classmate: "I live in exile, one foot in the gutter and the other trampling all over my parents' broken hearts."

Carmen: "Oh, sweet mother of Hannibal Lecter, I can see it so clearly now."

Harrison: "I'm like one of those cheap chocolate Easter bunnies: tasteless on the outside, hollow on the inside."

Josh: "I was wondering what it means in the song when it says, 'with verve.'"
Drama teacher: "It means somebody should be clapping at the end besides your parents."

In addition, many of the episodes were directed by a lesbian: Jamie Babbit, who went on to write and direct But I'm a Cheerleader and episodes of Nip/Tuck.

4. Harrison's Lesbian Mom

Alley Mills (best known as the mom from The Wonder Years) plays Harrison's mom, Robin, a lesbian pharmacist who is outed in Episode 9 ("Wild, Wild Mess"). Harrison's friends think it's cool, but Harrison's not ready to go public about his mom's sexual orientation. "It's bad enough I hang out with three girls and I'm not dating any of them," he tells his mom. "I don't need the whole damn school thinking that I'm a queer too. You don't mind people thinking you're a freak? Fine! I do." But Harrison eventually comes around and supports his mother, especially when Robin's girlfriend dumps her in an episode later in the season ("Ch-Ch-Changes").

When Robin is fired from her job for being a lesbian, Mary Cherry's mother Cherry Cherry buys the pharmacy and hires her back--with a few zingers along the way, like this one: "Look at you. You ain't got a buzz cut and you're wearing a pesto sweater from Banana Republic. Sorry, I was looking for a lesbian! Have a nice day!"

5. Lisa Darr as Sam's Mother

Ellen fans will immediately recognize Lisa Darr, the actress who plays Sam's mother in Popular, as the actress who played Ellen's love interest, Laurie, in the last season of her sitcom (Laurie was a mortgage broker with a pre-teen daughter who fell for Ellen). Darr does a good job in this role, too, even if she doesn't engage in any lesbian activity.

6. Brooke and Sam's Friendship

The evolution of Brooke and Sam's relationship as they get to know each other and begin to see past their misconceptions is one of the better enemies-become-friends storylines on television. Their friendship and its disconcerting effect on their other friendships is explored in subtle, nuanced ways that avoid black-and-white answers and is realistically messy.

7. The Rest of the Characters

From Sugar Daddy to the gender-ambiguous biology teacher Bobbi Glass ("After a nuclear apocalypse, I'll be the only thing left standing other then cockroaches and Cher!") to ultra-outcast April Tuna (whom Mary Cherry calls "the black hole of beauty"), there has rarely been a show which consistently produces supporting characters who are as odd and strangely interesting as those on Popular. When April Tuna asks Harrison to a dance, for example, she puts it in her own unique, April Tuna way: "Hello, Harrison John. Though you are not the dream boy I have bondage fantasies about (that would be the hard-bodied Stone Cold) you would be an adequate setting for the fiery ruby that is April Tuna. Please pick me up Friday at eight o'clock with expensive hot-house corsage in hand."

8. The Diversity

Although the cast is mostly white (except for Lily, who is Latina), Popular does a better job than most shows of including diversity in its supporting characters and storylines. Like cheerleader Poppy Fresh (who runs for homecoming queen to represent girls of color), the black gay male drama teacher (who is later replaced by a black woman), an inspiring humanities teacher played by Sandra Oh (who played a lesbian in Under the Tuscan Sun), exchange student Exquisite Woo (who tells Harrison, "Get one thing straight, whitest boy alive, you are not my type"), Harrison's lesbian mom, and a transgendered MTF shop teacher who is the focus of one of the later episodes when he undergoes a sex change operation.

9. The Stereotypes

The show excels at alternating between promoting stereotypes and skewering them. Beneath the surface of clique wars and high school stereotypes, there is Josh, the football player who wants to be in a musical ("Sorry, dad, gotta miss the recruitment dinner. Gotta sing, gotta dance"); Carmen, who wants to be a cheerleader despite her size (and eventually gets her wish); Nicole's occasional moments of kindness; and Brooke and Sam's slow realization they have more in common than they thought. Not to mention the shop teacher who wants to be a woman and the lesbian pharmacist who wears Banana Republic.

10. The Controversy

Unlike most television shows that either avoid controversial topics or treat them with dramatic earnestness, Popular embraces controversial topics, but isn't afraid to make fun of them either. The teenage obsession with weight is a running theme on the series, for example, with more serious storylines on eating disorders and how weight effects popularity, to throw-away lines like "Nicole Julian and Stone Cold are like fashion and anorexia. They go together, thank you." Other topics addressed include confusion about transgenderism ("I don't get it. Why would he want to dress like a woman? And why would he wear those shoes with that dress 'cause they don't match"), the way women are presented in the media ("Eventually it dawns on you. You'll never be a Seventeen girl. Because they don't allow airbrushing in real life."), and even class issues, as illustrated in this conversation between Lily and her mother:

Lily: "Look, I know you want me to work, it's just not gonna be here, okay?"
Mrs. Esposito: "I don't want you to work, Lily, I need you to work."
Lily: "Why? Are we broke? How did that happen?"
Mrs. Esposito: "Do you want me to give you a list? Lily, if you want to save the world, start with us."

The show wisely avoids the preachiness that has bogged down many other teen shows, preferring to go for the humor instead. If you learn a lesson or two along the way (and you do, more than once), that's great, but entertainment comes first.

Even gays and lesbians are spoofed, but the writers' underlying affection for us always rings through. "Let me just say, on the record, that I love the gays," Mary Cherry tells a gay man, and he responds "Thanks, Mary Cherry, we love you too." That about sums it up.

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