In
December 2005, the New York Times reported that
Showtime’s lesbian drama,
The L Word, was set to team
up with website Fanlib.com to produce a 12-week
contest in which
viewers could “contribute ideas for show scenes as part
of a continuing story line.” At the conclusion of the
contest, which will be overseen by a staff writer, the
winning scenes will be compiled into a commemorative
ezine of the episode, with Showtime having the option
to produce the finished script for TV down the road.
Whether
the episode will actually be produced is not certain,
but the contest (which has not yet started) marks yet
another step in the mainstreaming of fandom and its
cultural products, specifically fan fiction.
This
idea of letting fans produce “ideas for show scenes”
may at first seem only distantly related to fan fiction—which
is fiction written by fans featuring the characters
and setting of a television show, movie, or book—but
upon closer examination, it is clearly connected. Many
fans turn to writing or reading fan fiction because
they find their favorite television show lacking. They
may want to see a certain character fall in love with
a different character; or they may want to find out
what really happened when the camera panned away from
a particular scene. Fan fiction allows them to take
the story beyond the confines of scripted television
or film, or even the pages of a book.
By
inviting L Word fans—many of whom already
create their own “ideas for show scenes” through their
fan fiction—to invent their own storylines, L Word
producers are piggybacking on a phenomenon that is rooted
in centuries of community storytelling, and that has
been more recently studied as a part of sci-fi fandom
dating back to Star Trek.
In
effect, what once was a closeted (or at least semi-closeted)
community of fan writers scribbling stories about their
favorite Star Trek character has become a worldwide,
public phenomenon reported on in global media and openly
acknowledged by cultural producers like Showtime.
Most
significantly for lesbians and bisexual women, the changing
of television—which has increasingly included openly
lesbian characters—has also affected fan fiction, with
slash (fan fiction about same-sex couples) expanding
from its male/male homosocial roots to an open expression
of lesbian romance and sexuality.
What is fan fiction, anyway?
Fan fiction originated in the pre-Internet science fiction fan communities that erupted around Star Trek in the 1960s and '70s, with fan-written stories traded through printed fanzines. These fan fiction writers were predominantly white middle-class straight women, an unlikely group who nonetheless pioneered the sexually explicit, homosexual genre of fan fiction known as “slash.”
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