Spike
Lee's new movie She Hate Me is more of a fantasy
than a comedy, and not a very funny one.
Opening
this week in theaters in New York and L.A., the film tells the
story of Jack Armstrong (Anthony Mackie), a corporate whistle-blower
suddenly out of a job who ends up becoming a one-man sperm bank
for wealthy lesbians, who pay him $10,000 each for the privilege
of allowing him to impregnate them--the old-fashioned way. And
naturally, they enjoy it. All nineteen of them.
At
the end of the film, two of the lesbians--both women of color--create
an unusual family arrangement by living with Jack as a threesome
of sorts.
First,
on the positive side, She Hate Me
is a well-acted film, and one that finally includes lesbians
of color (played by Kerry Washington, Dania Ramirez, and Ling
Bai, among others). And on a theoretical level, the ending is
interesting and unique; I wish more films reflected the diversity
of family structures that exist in America today.
But
the positive aspects of the film are far outweighed by numerous
negative ones, which include confusing bisexual women with lesbians,
reinforcing the idea that lesbians want to sleep with men, and
bringing to the big screen the lesbian-motherhood
storyline that has been played to death on television.
Spike
Lee has done numerous interviews to sell this film
to the gay community, asking us to be open minded about it because
"it was done in the right spirit," (BTL
June 24th), but this movie was never intended to appeal to a
gay audience. It was made for a straight (male) audience that
likes to think lesbians secretly enjoy, or at least don't mind,
sleeping with men. That doesn't mean lesbian representation
in the film is all bad--many of the lesbians are interesting
and sympathetic characters--but let's not pretend it's a good
portrayal of lesbians overall. Or even women, for that matter.
You
know the sexism and lesbian stereotyping in a film has to be
painfully obvious when even non-gay newspapers are commenting
on it, as The Hollywood Reporter does in its review
of the film:
Hard
to imagine anything more tasteless or tacky than these scenes
of supposedly gay women screaming in erotic ecstasy while
having sex with a well-endowed stud. But there are other problems
with this male fantasy. It may be news to Lee and Genet, but
the preferred method of achieving motherhood by most gay women
is artificial insemination. Furthermore, multiple sessions
of sexual intercourse by a single male, assuming the man can
even achieve arousal that many times, would virtually ensure
that his sperm count would be too low to accomplish the desired
results for most of the women. Finally, what woman would want
to be last in line for a male who has just had a dozen bouts
of unprotected sex?
Lee's
defense? Artificial insemination isn't cinematic enough. Let's
see if he remembers that the next time a white director wants
to include some black thugs in his film to make it more "cinematic."
If
She Hate Me was just one
mainstream cinematic representation of lesbianism among many,
it would still be disappointing, but easy to ignore. But
She Hate Me is one of the few representations of lesbians
in a mainstream film in the last year, and one of the only
mainstream representations of lesbians of color in years; in
the larger context of the overall invisibility of lesbian and
bisexual women in film, She Hate Me veers on irresponsible,
especially coming from a man who understands far too well the
harmful effects of propagating negative stereotypes.
Fortunately,
She Hate Me is so off-base, outdated,
and silly in its portrayal of lesbianism that it makes itself
unbelievable even to most straight viewers, which limits the
damage it can truly inflict on lesbian visibility.
For
someone who has spent so much time and energy trying to counter
narrow-minded stereotypes of African Americans, however, it's
discouraging that Lee can't expand his scope to counteract stereotypes
of black lesbians--who are black women, after all. “I
think that if anybody has a right to be angry, it’s African
Americans in this country," Lee told The Advocate in
a recent interview.
With this film, he's just added to the list of things for black
women to be angry about.
For
an alternative take on the film, see this
review.