The
best thing about Spike Lee’s film She Hate
Me is also the worst thing about Spike Lee’s film.
Even if Lee and co-writer Michael Genet tell you this is a film
about sex, politics and greed--and it is--this movie is more
importantly and controversially a Spike Lee lesbian flick. Whatever
else you get out of this film is an added bonus, like extra
cushioning, because all of the hype surrounding She Hate
Me has to do with Lee’s own ideas of girl-on-girl
sex and reproduction.
She Hate Me follows the story of John Henry “Jack”
Armstrong (Anthony Mackie), a vice president who finds himself
in the role of whistle-blower, as his once-successful drug company
falls prey to an Enron-type scandal. As a way to compensate
for his once lavish existence, he gets himself into a unique
line of work: after being propositioned by his ex-girlfriend,
Fatima (Kerry Washington) and her now-lesbian partner, Alex
(Dania Ramirez) to help them make babies, Jack agrees to accept
cash for sex and winds up screwing both of them.
Getting pregnant goes nice and easy for Fatima, while Alex,
who at first refuses to actually have sex with Jack, isn’t
having any luck with her turkey baster. Once she decides to
have penetrative sex with Jack, Alex’s luck instantly
changes, and Fatima and Alex are one happy, pregnant family.
They are so happy, in fact, that Fatima arranges to share her
newfound wealth with her lesbian sisters and starts a service
for other members of her community. The lesbians come to Jack
looking for man love to provide them with children. As luck
will have it, the 17 other lesbians who pay for a flick from
Jack’s special wand all wind up pregnant.
There are some really funny, endearing and
ridiculous moments as Jack tries to keep it up and keep it going.
The nineteen lesbians involved in the film are individual and
diverse women. Their characters are all enjoyable and they could
have all used a little extra screen time to make up for the
lack of an otherwise flat plot.
If
you enjoy movies set in New York, Lee doesn’t
disappoint. Although you won’t see as many sights as you
do in a movie like Spiderman, one of the more enjoyable
elements of Lee’s film is that a New York location is
always refreshing. The supporting cast is really talented and
the characters of Powell (Woody Harrelson) and Margo (Ellen
Barkin) are easy to love to hate. Harrelson portrays his character
with a depth and darkness that makes it hard to take your eyes
off his presence, and Barkin’s role as a high-powered
executive is sexy and chilling.
Credit
needs to be given to Tristan Taormino, the award-winning
author, columnist, editor, and sex educator who Lee’s
team had the smarts to hire to make sure that lesbians were
fairly represented in this film. And although in real life,
few lesbians would seek out a man’s direct help to have
a baby (they would adopt or go to sperm banks), Taormino saw
to it that Jack’s scenes with these women were realistic
and fun.
Lee's
motivations, however, are a little suspect: at a recent screening,
when Lee was asked about his choice to make almost all the women
in the film lesbians, he stumbled over his reasoning. Although
he didn’t go as far as blatantly claiming that men like
to see lesbians get it on with other men or that lesbian sex
was totally hot, it was as if he didn’t need to actually
say it. While sperm needs to be involved in the actual creation
of a fetus, Lee could have made it more realistic by expanding
the plot to include a more diverse group of women, including
single mothers and others whose partners had problems helping
with conception.
Spike Lee is definitely an artist who surrounds
himself with controversy. This movie couldn’t be timelier,
as gay marriage has been placed under the spotlight, and other
issues surrounding gays and lesbians will eventually be brought
in front of major institutions of power. However, Lee could
have chosen a different ending to his film. While some may view
the ending as a perfect conclusion, this non-traditional relationship
leaves a lot to be desired.
She
Hate Me is a unique story and Lee deserves credit for finding
his own way to portray the issues surrounding some of the more
controversial current affairs. The film is worth seeing for
that reason alone, even with its flaws.
For
an alternative take on the film, see this
review.