“Aggressive” is a term chosen by a group of lesbians of color
that might otherwise be mislabeled (or overlooked completely)
by both mainstream heterosexual and gay cultures. In his documentary,
director Daniel Peddle not only puts them in the spotlight but
also provides a forum for the women to define themselves.
Peddle,
a writer and fashion industry casting director who specialized in "real people” fashion
models, met his subjects in New York in 1999 and documented their
lives for five years. His film captures the women--Tiffany, Octavia,
Flo, Kisha, Marquise, and Raji--growing up, coming to terms with
their sometimes shifting gender identities, joining the military,
facing illness and jail time, and finding success despite the
disapproval of their families and the world at large.
The film is a compelling look at how they face marginalization
with humor, bravado and courage.
Almost
all of the women survived childhood years in which their
masculine appearance and behavior was reviled both at home and
in school. Tiffany recalls dropping out of school after facing
non-stop harassment by a teacher (“What kind of name is Tiffany
for a boy?”). She later pursued her GED through the Hetrick-Martin
Institute, the oldest and largest non-profit agency created to
serve lesbian, gay, bisexual, transgender, and questioning youth.
With both parents dead, Tiffany is on her own and proud that she
has “never been in the closet.”
Flo’s
story includes childhood pictures of her dressed as a boy by a
mother who would abandon her, only to return in Flo’s adult years
and express both disapproval of and disgust with of her daughter’s
lesbianism and ultra-butch appearance.
The
way in which the mothers understand their daughters’ sexuality
is complex. Both Raji and Octavia’s mothers claim to “accept”
their daughters, but both wish their girls were heterosexual.
In fact, Octavia’s mother says thinks there is still hope, “I
know that’s not her. She’s got a lot of boyfriends coming up.
I know that’s not my daughter.”
The
deflection and denial surrounding the families approach to the
women’s sexuality is not particularly uncommon, and it’s been
the subject of many films about queer identity. But it does offer
insight into the personalities of the women of the film, particularly
the necessity for their self-reliance.
While
some of the Aggressives are self-confirmed players, most
of them talk at length about their desire for meaningful, long-term
relationships. Some of the most fascinating moments in the film
are discussions of gender and desire with their girlfriends.
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