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Review of Same Sex Parents
Candace Moore, January 3, 2005

Same Sex Parents


Any teen movie
worth its mettle features at least one thoroughly-discontented post-pubescent. Exhibiting outsider status and angst is a must for high school-aged characters on celluloid; it goes with the hormonal genre’s territory.

Whether it’s Ally Sheedy shaking the dandruff off of her hair and calling it snow in The Breakfast Club or Evan Rachel Wood scissoring into her arms because her female obsession is out with a guy in Catherine Hardwicke’s recent Thirteen--teenagers in contemporary fare act weird, surly, or dangerous--not too unlike they do in real life.

Same Sex Parents’ teenaged Olympia (Louise Monot) is no exception. She’s as moody as an eel pressed out of its underwater home with a stick. In fact she keeps an eel-pout through out so much of the film that when she inevitably smiles we feel as if we have been granted three genie wishes. The French film’s trip hoppy soundtrack, reminiscent of three or four beats riffed from Portishead and repeated ad infinitum, plays during emotion-heavy interludes, beating the viewer over the head with hip-ness, and rendering Olympia’s total bitchiness somewhat benign: just artsy, oversensitive. There are multiple scenes of the longhaired, brunette belle riding her bicycle stubbornly through her rural French town to bass note backings.

Olympia has it rough, so she thinks. Her “cool” parent--suave, Range-Rover-driving gay dad Antonie (Samuel Labarthe of Techiné’s Strayed)--lives away in a chic part of Paris. Olympia feels stuck with her uptight, middle-class mom Martine (Élisabeth Bourgine) and her mom’s live-in lesbian lover Do (Donatienne Dupont) in a compact apartment in a conservative small town. When nasty neighbor Geraldine (Julie Fournier), a Liv Tyler look-alike with the hots for Olympia’s boyfriend Leo, purposefully feeds the high school gossip mill that Olympia’s mom’s a dyke, the teen’s war with the world is on.

Regardless of the fact that she’s unconditionally loved by all parents and partners concerned, Olympia gets ribbed at school for being the spawn of “perverts.” She’d like to act like the barbs don’t hurt, but they do, and the hurt builds to bursting. The A-student starts acting out: engaging in schoolyard catfights with Geraldine, cussing out her mom out with the derogatory epithets she hears at school, and ditching class to guzzle Heinikens and swap spit with pushy boys under bridges to prove herself het. Part of the problem is that Martine hasn’t come out to her yet, and this fuels Olympia’s sense that her mom’s lifestyle is shameful, given that mom’s ashamed of it too. She has no issues with her out dad, but the fact that she’s being openly tortured about something her mom’s not open about frustrates the teen. When Olympia walks in on Martine and Do making love, she literalizes her aggravation, smashing her arm through a window.

All of Olympia’s confusion leads to more when she kisses a girl. And who loops around the corner just in time to spy her experimentation? Geraldine, of course, who interrupts Olympia’s romantic smooch with best friend Marion and wickedly laughs “I knew it!,” causing the school pariah to flee to Antoine‘s safe haven in the city. In a Parisian café, Olympia quizzes her dad:

Olympia: You sure homosexuality isn’t hereditary. Maybe you passed it to me.
Antonie: (smirking wisely) If heterosexuality isn’t, why would homosexuality be?

A film about bridging the communication breakdowns that happen between kids and parents over sexuality, and about standing up for oneself and one’s family despite what others say, Same Sex Parents (Des parents pas comme les autres) was originally produced as part of French Television station M6’s movie series “The Rebel Years” by female filmmaker Laurence Katrian. Accordingly, it has a little bit of that “social topic” feel, like a made-for-Lifetime movie, but with a French frankness and edge.

Unfortunately the histrionics played out by both mother and daughter, while realistic, cause the viewer to quickly find both of these main characters annoying. Although it’s easy take consolation in Do, who knows who she is and who she loves without reservations or repressions. Mixing a no-nonsense swagger and a proclivity for motorcycles with a tinge of blonde femme--that European front-strands-dangling-from-pulled-up-hair do--the sexy in-betweener deserves more screen time.

We are also led to wonder why male sexuality, whether straight or gay, is considered normal, while Martine’s lesbianism is the cause of so much gossip and stress. Granted, Martine has kept herself barricaded away in a closet of her own padding and policing, but she has a point: the locals do seem to treat female homosexuality as some kind of transmittable disease. Monied, fashionable Antoine’s gayness is perceived by all as “no big deal.“ This film drives home how homophobias can differ according to gender and class differences.

While the film’s soundtrack begs diversification, all and all, Same Sex Parents is convincing and complex enough to fly. Katrian can be commended for creating another in a growing cadre of teen films, like But I’m a Cheerleader, Saved!, and D.E.B.S., that deal smartly with gay issues.

Get Same Sex Parents on DVD

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