"Arrested Development": Third Season’s a Charm![]() ![]() Despite being heaped with critical praise and winning multiple Emmy awards, FOX had slated Arrested Development for cancellation last season. True to snarky form, the writers incorporated the cancellation rumors into the plotline. Adam Sternbergh wrote in New York Magazine (April 2005) “Its tenuous status has become an explicit metajoke on the show. When Fox recently cut the show’s season from 22 episodes to 18, the writers had Michael Bluth complain that a construction contract for his company had been cut from 22 houses to, yes, 18. (His father grouses, ‘I heard about the reduced order. Those bastards!’)†The ever-present threat of cancellation is due in part to the fact that the show is not an easy sell. There’s no single comedic situation with which you could easily describe it. Almost a mockumentary, the irreverent Arrested Development skewers white-collar crime, conservative Christianity, actors, magicians, and the recovery movement. Every institution deemed essential to American life is up for grabs. Here's a few examples:
Arrested Development boasts a multi-layered, smartass humor that has created a rabid fan base, and has remained unseen by all the other viewers who like their entertainment to be just a little less challenging. For example, when the family lawyer Barry Zuckerhorn (Henry Winkler) jumps over a toy shark, it’s a dual nod to 1970’s television (when Winkler’s â€Fonzie†literally jumped over a shark on an outlandish episode of Happy Days) and to the phenomenon of “jumping the shark†(a pop culture term borne of that very episode of Happy Days), that “very special†moment when a television show finally loses all credibility. It’s no wonder that a 2004 article about the show in The San Francisco Chronicle was titled, “Too Smart to Make it?†|
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