Despite
being very clear about her bisexuality, DiFranco nonetheless
caused a stir among her admirers when she married her sound
engineer, Andrew Gilchrist, in 1998. The couple has since separated,
but this demonstration of DiFranco’s fluid sexual orientation
alienated some lesbian fans.
DiFranco
has also had to deal with the challenges of listeners and supporters
publicly critiquing her evolving looks over time, as her image
has transitioned from a shaved-head, tattooed punk to a longer-haired,
dress-wearing adult. Her changing look has caused a clamor of
accusations from some audience members that she has sold out,
but other fans counter that this accusation is asking DiFranco
to stay fixed in a specific moment in her life.
But
no matter what she looks like or with whom
she has relationships, audiences still turn out in droves to
hear this self-made powerhouse do what she has always done:
sing from the heart about her own truths, and play the guitar
in her unique percussive style that has spawned a million imitators
in coffeehouses across the country.
Her
voice is best described by Vanity Fair magazine as
“like the murmur of a lover who knows every last secret
and decides to stay.” The influence of her lyrical poetry
is evident in everything from the numerous websites dedicated
to listing her songs like spiritual volumes, to the inscription
of her words on dorm room walls, to the inclusion of her verses
as part of signature lines on emails. Her sophistication and
irony speaks to a generation grappling with an intense awareness
of social injustice, while her loud and audacious musical style
makes folk music sensibility accessible to people raised on
MTV and hip-hop aesthetics.
DiFranco is now preparing to release her 22nd
album, in January 2005. This new album, Knuckle Down,
will come out about a year after her 2004 solo album Educated
Guess (and by solo, I mean she performed all the instruments
and vocals), just months after the November release of her DVD
Trust. Filmed at the 9:30 Club in Washington, D.C.,
this DVD captures her energetic live performance for year-round
viewing.
Although
it is hard to ignore her success as an independent producer
in a dog-eat-dog industry, DiFranco always specifies that the
art comes first, and being true to her vision is the most important
aspect of her career. As she has stated on numerous occasions,
including in a much-distributed November 1997 open letter to
Ms. Magazine, she is “just a folksinger, not
an entrepreneur." Fortunately for us, she excels at both.
Ani
DiFranco is touring the Northeast this winter, with some Midwest
and West coast dates early next year. Get more information at
righteousbabe.com