In
a perfect world, a small-budget British
film starring an unknown Indian actress as a girl who
overcomes sexist and cultural barriers in order to play soccer
while falling in love with another girl would become a word-of-mouth
phenomenon and ultimately generate millions in U.S. and international
box office revenue.
But
this isn't a perfect world, and the Bend it Like Beckham
director knew that wasn't going to happen; something had to
give, and that something was the lesbian romance--at least according
to the friend of Beckham director Gurinder Chadha.
Speaking
last week at the Bombay Academy of Moving Images, Nisha Ganatra
(who directed the lesbian-themed film Chutney Popcorn)
revealed that Chadha (who also directed the
film What's Cooking,
which featured Julianna Margulies and Kyra Sedwick as a lesbian
couple) originally planned to include a lesbian romance between
the characters of Jess (Parminder K. Nagra) and Jules (Keira
Knightley), but "chickened out" at the last minute
for fear of offending and upsetting Indian audiences.
Instead,
the film was re-written to develop a relationship between Jess
and her (white) coach, Joe (Jonathan Rhys-Meyers), which causes
a rift between Jess and a jealous Jules. The film still tackles
homophobia, but not as directly; Jess' male friend comes out
to her, and when Jules' mom is upset when she mistakenly thinks
Jules and Jess are in a lesbian relationship, Jules' response
is along the lines of "I'm not, but so what if I was? Being
a lesbian isn't that big of a deal."
Many
lesbian fans of the film are likely to be disappointed at learning
of Chadha's decision, for there are few complex,
interesting lesbian characters in mainstream cinema, and even
fewer Indian ones (the women in Fire and Chutney
Popcorn are some of the only ones).
But
as a lesbian fan of the film, I want to offer what is likely
to be an unpopular opinion: in this particular context and at
this particular time, Chadha made the right decision.
When
India's first lesbian-themed film, Fire, premiered
in 1996, it generated enormous controversy in India, including
rioting and death threats. If Chadha had kept the lesbian romance
between Jess and Jules, Beckham would not necessarily
have created the same stir (since it's a British film and set
in England, not India), but it's extremely unlikely the film
would have set the record it did in India for most number of
tickets sold during a single weekend for a foreign movie.
Nor
would it have been likely to become one of the UK's biggest
hits, or the highest-grossing Indian-themed film ever in the
U.S. at $32 million in box office revenue (Mira Nair's Monsoon
Wedding was the second best at $14 million). British imports
in general have a slim chance of commercial success in America,
as do films starring non-white women, unknown actresses, or
female-led sports movies. That
Beckham became such an international hit in America
and abroad with such strong anti-patriarchal, anti-racist, and
anti-homophobic messages is astonishing--and, realistically,
this is most likely due to the film's inclusion of the relationship
between Jess and her coach.
The
heterosexual romance acted as a balance to the film's
strongly pro-feminist message, like your mom hiding your medicine
in chocolate, and made it palatable to the "average"
viewer who might otherwise be uncomfortable with a film that
so blatantly challenges long-held, traditional views of women
("a woman's place is in the home"), sports ("sports
belong to men") and ethnicity ("Indians can't play
soccer").
A
lesbian romance, on the other hand, would have done the opposite:
amplified the feminist message to an intolerable level for many
viewers (since lesbianism is considered the ultimate manifestation
of feminism), or marked the film as "unsuitable" for
teenagers (since any suggestion of lesbianism is considered
corrupting). Since the film had almost no marketing budget and
relied mostly on word of mouth, this means very few people outside
of the gay community and female soccer players would have been
likely to see the film.
Many
lesbians will protest--and rightly so--that this is exactly
the kind of thinking that leads to very little visibility (or
at least, very little good visibility) for lesbians
in entertainment, that it is always the lesbian characters/themes/romance
that get sacrificed in the name of the greater good.
Most
of the time, I agree with this complaint. Too many filmmakers
edit out or significantly revise the lesbian characters or subplots
of a story just to play it safe, and to make as much money as
possible, often when it's unnecessary or even deleterious to
the story to do so.
But
if lesbian visibility in mainstream
entertainment is poor, the visibility of Indian women--gay or
straight--is far worse, especially in America. There are no
high-profile film actresses of Indian descent in the U.S., and
there has never been a woman of Indian descent in a prominent
role on television--until
now.
The
success of Bend It Like Beckham launched its star,
Parminder K. Nagra, into the public eye and led directly to
being cast on the popular U.S. TV show ER, playing
the first recurring female Indian character on an American television
series. The success of Beckham is also a large feather
in Chadha's cap and will very likely lead to more directorial
opportunities for her in the future, no small accomplishment
given the extremely limited number of female directors (not
to mention female directors of Indian descent).
In
a time of increasing cultural misunderstandings and fear between
Eastern and Western countries, it is more critical than ever
that film and television roles and actresses in America include
women of Asian and Arab descent. We also need more films like
Beckham that promote girls and women in sports, since
there have been relatively few in the last several years (Girlfight
and Blue Crush are among the few), and films that
encourage teenage girls to challenge the sexist roles society
frequently tries to keep them in.
So
if I have to choose between Beckham
with a lesbian romance that only my friends and I will see,
or Beckham with a heterosexual romance that half the
world will see, I'll choose the latter. Someday soon I hope
we won't have to make that kind of choice, but for now, in the
interest of improving visibility for women overall, we should
be more than willing to take this one for the team.
Get
Bend it Like Beckham on DVD