Review of "Floored by Love"Few films have captured the delicate issue of coming out to one's family with the accuracy and sensitivity of Floored by Love. The intense fear of rejection that makes countless couples introduce their lovers as their “roommates†at family functions is something all LGBT people have known at one time or another, so it is easy to relate to both Cara and Janet's points of view. The additional element of cultural difference makes the film even more poignant. Cara feels trapped by her parents' expectations, who remark that it's a “disgrace†that her younger brother is getting married before her. If there is one main problem with the film, it's the fact that it heavy-handedly favors one character's perspective over another's. Janet's desire to be openly lesbian and married to Cara is consistently promoted over Cara's reluctance to marry and her desire to keep her parents in the dark. While this may be a noble point to make, Janet herself seems a bit too bent on getting married and puts excessive pressure on Cara to make wedding plans. It's perfectly justified for Janet to want her partner to be out to her family, but for her to demand marriage so quickly seems like a contrived plot device and doesn't mesh with the rest of the picture. In stark contrast to Cara's woes with her family, Jesse's parents are wholeheartedly supportive of his sexuality. His stepfather, Norman (Michael Robinson), even awkwardly offers brochures from the LGBT center, proclaiming, “Here's one with safe sex tips!†Jesse's life is stirred up unexpectedly by the return of his gay biological father, Daniel (Andrew McIlroy), a freewheeling though successful actor. This story line is actually much more about Norman's acceptance by his stepson than it is about Jesse being gay, which is sweet and unusual. Norman is hapless and dedicated, and loves his stepson much more than Daniel ever will. This becomes especially heartbreaking halfway through the film when Jesse states his intentions to move in with Daniel, and Norman goes so far as to get a full makeover in an attempt to improve his image in Jesse's eyes. In these scenes, Norman is the lovable underdog to the flashy and shallow Daniel. Clearly, Norman is a better father, but the impressionable Jesse is easily swayed by Daniel. As much as Jesse's story is a wonderful departure from the usually bleak gay teenager fare, it takes a bit of a backseat, dramatically, to the Cara/Janet story line. Finding out where Jesse ends up is engrossing, but the situation seems a bit unrealistic. Most parents of 14-year-olds would not let their son or daughter move in with an estranged, irresponsible adult. Despite its flaws, Floored is an incredible little feel-good film. Both story lines are interesting and relevant, and the characters are realistic, sympathetic and most importantly, likeable. There are some weaker plot points, and the entire affair is over far too quickly, but Floored by Love absolutely delivers. |
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Did we watch the same film?
I rented the film in part because of this positive review, and, wow, big mistake. I've watched a lot of bad lesbian movies (so many that I think the term "bad lesbian movie" is actually redundant), but this one takes the cake. Every. single. actor. is TERRIBLE, although I suppose there wasn't much they could do with the completely wooden and silly dialog they had to work with. The situations--Conservative parents come for a surprise visit! Gay child worried about acceptance from Chinese family! Gay teenager enjoys shopping!--are mostly the standard, stereotype-ridden fair, and the few that are new are completely unrealistic. For instance, the 14-year old teenager's parents suddenly just agree to let him move to a different country with his flaky, unsuccessful father when he says he wants to. Riiiiighhhtt. Oh, or how about the Chinese mother who asks her daughter's Japanese "roommate" if the rainbow flag is the flag of her nation?
And if that's not enough to induce an eye roll, how about the completely tiresome relationship between the two lesbians? Janet more or less demands that Cara not only come out to her traditional, conservative parents, but also to come out in the context of marrying Janet, which of course she is obliged to do by the fact that they've been together for three whole years. She then pressures Cara so badly and in so many different ways that, by the end of the film, my partner and I were surprised that she didn't get pissed at Cara for not tying a vial of sperm onto the "will you marry me?" balloon (You don't want to have kids with me?! But you said you loved me and were committed to US!).
And that's not even mentioning the incredibly stilted and predictable attempts to link the two stories, which don't fit well together anyway.
In short, there's really no reason to see this film unless you are absolutely desperate to see a portrayal of gay people on screen. Even then, rent something else if you can. We certainly need more gay films, but I'm sick of people thinking that making a film with gay characters is enough to attract an audience. Quality is important too.
Watched this film in class last week
While I wouldn't say it was good, it's not terrible either. The actors are lacklustre, and the film relies too much on groan-worthy stereotypes, but it does an admirable job exploring the themes of family and alternative families, multiculturalism and minority groups.
The desire for acceptance, both by the lesbian couple from their parents, and the stepfather from the stepson, emphasizes that well, as much as children want to be recognized by their parents, sometimes the parents feel the same way.
Personally, I like the reference to food. Janet expresses her love for Cara by cooking malaysian food, and Cara ends up learning to make japanese food. They're overcoming their cultural differences and accepting each other's culture by preparing the food they both grew up on. The other family has stir-fry tofu as bland and boring, while crepes are "in". Tofu becomes a representation of the solid, boring but dependable stepfather, while the biological father's crepes are fun, delicious, but not for everyday consumption.
I won't dispute the eye-rolling, stereotypical and overdone representations in the above post, but there are some cultural significances that are easily overlooked. As a chinese myself, and considering many of my friends in college don't know what the rainbow flag stands for, the chinese mother's reaction is not entirely unbelievable. Although I'm more amused by the repeated references to tofu, which in many east asian cultures is a euphemism for lesbian sex.
Again, the film itself wasn't done well, but the themes are worth thinking about. I wouldn't recommend watching it unless there isn't anything else to watch, and certainly it's not worth watching more than once, but it is one of the few lesbian-themed that have a focus on ethinic and cultural differences.
Acting? What acting?
Although I liked the idea behind the film, the script wasn't worked out well, many camera angles ruined the scenes and the acting was just horrible. I must say Sky and Klippenstein were rather good at times and really stuck out but boy..
I personally can not recommend this film to anyone. I'm sorry but I really, really wouldn't want to watch it again. Very little funny moments and even less that came over to be sincere and genuine. The movie only lasted like 50 minutes but those were a pretty long 50 minutes.
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