Like
most compilations, there are a few stand-out tracks, like Joan
Armatrading's "The Weakness and Me" and Frances' Faye's
"Frances and Her Friends," and a few weaker ones,
like Joseph Collett's "Blue Sky," but for the most
part, almost all of the songs brings something to the table.
Only three of the tracks are by male singers, and of those,
only "Hallelujah" makes a big impression (although
I fear some Shrek fans will start envisioning green
lesbians when they're listening to that song on this soundtrack).
It might have been nice if the soundtrack had included some
of better-known songs used in the series or in promos, like
Melissa Etheridge's "Breathe" and the Indigo Girls'
"Closer to Fine," but on the other hand, many of us
have heard those songs so often in other environments that perhaps
they would mar the soundtrack's ability to remind us of The
L Word every time we listen to it, which the compellation
is likely to do for most of us.
Although
the soundtrack does not include the techno-dot music which serves
as the opening credits for the series, at least a few of the
songs are successful at evoking the series at the very first
note. Marianne Faithful's "The Pleasure Song," for
example, immediately brings you back to the opening of the long-awaited
and oft-viewed pilot episode, when we were first introduced
to the characters on The L Word, and Lucinda Williams'
"Right in Time" will remind many Jenny and Marina
fans of the first time the two women slept together.
Other
songs are a pleasure for their outright quirkiness, like "Frances
and Her Friends" and even Connie Francis' "Everybody
is Somebody's Fool." And although it's not a major song
in the series, just knowing "Genius" is co-written
by Leisha Hailey is likely to make many Alice fans happy. In
short: there are lots of good reasons to like this soundtrack.
To
assist in your listening pleasure, here's a short list of the
songs on the soundtrack and their corresponding episodes scenes--enjoy!
| # |
Performer |
Song
Title |
L
Word Episode |
Description |
| 1. |
The
Murmurs |
Genius
|
1.12
"Locked Up" |
background
during a Jenny/Robin scene |
| 2 |
Lucinda
Williams |
Right
In Time |
1.3
"Longing" |
closing
- Jenny-Marina love scene |
| 3 |
Ella
Fitzgerald |
Let's
Do It (Let's Fall In Love) |
1.2
"Let's Do it" |
closing
- after Marina leaves Jenny and Tim's dinner party and Jenny
insists she doesn't have a crush on Marina |
| 4 |
Fantcha |
Sol
Ja Camba |
1.9
"Luck, Next Time" |
opening
- making the "Jesus Is In Me" art video |
| 5 |
Joan
Armatrading |
The
Weakness in Me |
1.11
"Looking Back" |
closing
- Tina returns from the Dinah Shore weekend and embraces
Bette in her office at the CAC (and Bette at first thinks
it's Candace). |
| 6 |
Connie
Francis |
Everbody's
Somebody's Fool |
1.5
"Losing It" |
opening
- cop arresting guy in diner |
| 7 |
Shelley
Campbell |
Drivin'
You |
1.10
"Liberally" |
|
| 8 |
The
Be Good Tanyas |
In
Spite of the Damage |
1.06
"Losing It" |
closing
- Jenny sitting beside a mailbox |
| 9 |
Rufus
Wainwright |
Hallelujah |
1.10
"Liberally" |
closing
- after Bette's altercation with Faye Buckley on television |
| 10 |
Kinnie
Starr |
Alright |
1.7
"L'Ennui" |
Jenny-Marina
love scene |
| 11 |
Jason
Collett |
Blue
Sky |
1.8
"Listen Up" |
Background
during Jenny-Annette conversation |
| 12 |
Marianne
Faithful |
The
Pleasure Song |
Pilot |
opening
- various scenes introducing the characters and L.A. |
| 13 |
Joseph
Arthur |
In
the Sun |
1.13
"Limb From Limb" |
montage
of Bette/Tina sex, Jenny with Robin and Gene, and Alice
going up to Dana's house to tell her not to marry Tanya |
| 14 |
Frances
Faye |
Frances
and Her Friends |
1.12
"Locked Up" |
opening
- beluga whale/"manatees" scene |
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The L Word Soundtrack now!